1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

Shopping Bag

Your cart is empty.


A sterling silver brooch, or pin, of a lady's profile. This is an exceptionally made, designed and eye catching work of art. It is also of a size that is a real statement piece. Capturing everything that is exquisite of the Art Deco period's fascination of Egypt in fashion and form. It also comes in pristine condition.

The fascination with Ancient Egypt has inspired jewellers for centuries, but the Egyptian Revival movement reached its greatest popularity during the late nineteenth and early twentieth centuries. Sparked by archaeological discoveries, expanding European travel, and a growing appreciation for ancient civilizations, designers began drawing upon the rich visual language of Egypt to create jewellery that felt both exotic and sophisticated.

By the turn of the twentieth century, Egyptian-inspired motifs had become highly fashionable. Scarabs, lotus flowers, winged falcons, sphinxes, cobras, and the Eye of Horus appeared in brooches, pendants, bracelets, and rings, often rendered in gold, enamel, coloured gemstones, and carved hardstones. These ancient symbols were admired not only for their striking appearance but also for the meanings they carried. Scarabs represented rebirth and protection, lotus flowers symbolised creation and renewal, while falcons and other deities conveyed strength, wisdom, and divine power.

The movement reached new heights following the discovery of Tutankhamun’s tomb by Howard Carter in 1922. News of the spectacular treasures captured the world’s imagination, igniting an international craze for Egyptian-inspired fashion, architecture, and jewellery. Leading houses such as Cartier, Van Cleef & Arpels, and Boucheron incorporated authentic Egyptian motifs into their collections, blending ancient symbolism with the bold geometric forms of the emerging Art Deco style.

Today, Egyptian Revival jewellery remains highly collectible for its distinctive combination of history, symbolism, and artistry. Whether created before or after the discovery of Tutankhamun’s tomb, these pieces reflect an era when the mysteries of Ancient Egypt captivated the modern world, resulting in jewellery that continues to feel as striking and fashionable today as it did over a century ago.

This stunning brooch was made by American jeweller W.M Link. Founded in Newark, New Jersey, in 1871, Wm. Link Co. was among the many talented jewellery manufacturers that helped establish the city as the centre of the American jewellery industry during the late nineteenth century. Producing sterling silver jewellery at a time when craftsmanship and hand finishing remained paramount, the firm became known for creating finely made pieces that reflected the changing tastes of the Victorian and Edwardian eras. The company later operated as Link & Angell around 1900 before once again using the Wm. Link Co. name from 1910 until ceasing operations in 1915. 

The company’s jewellery embodies the quality and attention to detail that made Newark famous. During this period, the city’s workshops supplied retailers across the United States with everything from elegant brooches and lockets to cufflinks and decorative accessories. Sterling silver was prized for its versatility and affordability, allowing skilled makers such as Wm. Link Co. to create refined designs that appealed to a broad audience while maintaining exceptional standards of workmanship.

Today, jewellery bearing the Wm. Link hallmark is appreciated not only for its craftsmanship but also for its place in the golden age of American silver manufacturing. Produced during a relatively brief period in the company’s history, these pieces represent an era when Newark stood alongside the world’s great jewellery-making centres, and when quality, artistry, and enduring design were at the heart of every creation.

The silver brooch is fully signed Georg Jensen, with the dotted early mark, along with the earlier GI 830 S mark, which is unusual. This means that it was made in between 1915-1927.   It has the model reference number '28'.

Made in Denmark, circa 1920's.


Price $745.00

Ă—

Enquire
Item Dimensions
Total Legnth
2.1 inches (5.334cm)
Width
2 inches (5.08cm)