1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver large berry spoon. There are spoons, and then there are spoons.....! This is perhaps one of the most spectacular looking, and quite large serving spoons we have had the pleasure of handling. Not to mention the condition is flawless. This style of long handled sturdy spoon was designed for serving berries of all varieties. However, such is the size it is perfect for candy, nuts and alike. This version has a ridged bowl that is a little deeper and will help trap its contents.

This masterpiece in spoon making was undertaken by one of the finest names in American silversmithing; The Whiting Manufacturing Company. Known for its superb-quality silver flatware such as this, hollowware, and Asian-inspired decorative objects, the Whiting Manufacturing Co. opened in 1866 in North Attleboro, Massachusetts, under William Dean Whiting, who had trained with the original family company, Tift & Whiting (1840-53).

Other key figures in the history of Whiting were George E. Strong, who joined the firm in 1870 and helped secure the flatware dies of Michael Givney and Henry Hebbard of Hebbard & Co., and chief artisan Charles Osborne, who patented numerous flatware and hollowware designs. In 1875, a disastrous fire at the Attleboro factory prompted the company to move to New York City. Here, Whiting designers were exposed to the Japanese aesthetic influencing turn-of-the-century decorative arts and began producing tableware with Asian motifs, such as goldfish, lotus flowers, seashells, and cranes. Such pieces directly competed with comparable examples by Tiffany & Co. and Gorham Manufacturing Co. In fact, Gorham purchased Whiting in 1924 and relocated its headquarters to Providence, Rhode Island, in 1926.

This spoon has a spectacular wide and fairly deep bowl, gilt washed, with a beautifully sculpted scalloped design. As one reaches the top of the thick and heavy handle the detail and quality continues on its dreamy quest to perfection. The back of the handle is equally as beautiful as the appearance of full lilies make their appearance to the top. The back of the spoon is fully marked for Whiting with its lion maker's marks, along with the patent information for 1902 and 1907. The Lilly pattern was introduced in 1902, so this is a slightly later version from around 1907

There is no monogram at the top wide part on the front of the handle where the cartouche is. The spoon weighs nearly one hundred and thirty grams and is over seven inches long making it an excellent serving piece, but even better to simply enjoy the masterpiece of silver craftsmanship.

Made in America, circa 1907.


Price $450.00

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Item Dimensions
Length
7.5 inches (19.05cm)