1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver and gold plated crystal ribbed scent bottle. This stunning scent bottle can be used for perfume or aftershave, or even for oil or vinegar on a dining table due to its size, a drinking flask for a small measure of your favourite tipple, given the cup at the bottom detaches, or simply enjoyed as the master piece in glass making it is. The bottle comprises of a bulbous round lid, which completely unscrews from the body, a similar vermeil base, which can double as a cup, and a stunning ribbed glass body.

The lid is distinguished by a finely modelled, separately applied coronet with five prominent pearl-shaped finials rising above an elaborately ornamented band. This form recalls the heraldic coronets traditionally associated with European nobility, particularly the French aristocracy.

Although the five-pearl arrangement does not conclusively identify a particular French noble rank, it is consistent with the broader tradition of aristocratic insignia used on privately commissioned luxury objects. Its presence on this Parisian Mouton bottle raises the possibility of an original commission for a titled individual or noble household, with the coronet serving as a discreet emblem of status and lineage.

In the absence of accompanying initials or armorial bearings, the original owner cannot be identified, but the coronet remains a compelling indication of the bottle’s possible aristocratic associations.

The base of the bottle is signed "Moutot" and its Rue de la Paix address. During the late nineteenth and early twentieth centuries, Rue de la Paix was among the most fashionable shopping streets in Paris, home to some of the city’s finest jewellers, silversmiths and luxury retailers. Situated at number 18 was Maison Moutot, an establishment specialising in fine silverware, decorative objects and luxury accessories, catering to the tastes of an increasingly prosperous and cosmopolitan clientele.

Surviving examples bearing the Moutot name offer an interesting insight into the business. Rather than producing every object in its own workshops, the establishment appears to have operated as a luxury retailer, offering pieces made by accomplished French silversmiths. Among the makers associated with Moutot are Edmond Tétard, Pierre Gavard and Alfred Hector. Known examples include elaborate silver tea and coffee services, silver-mounted crystal, perfume bottles and decorative tableware. These objects reflect the considerable variety of luxury goods available through the fashionable Parisian retail trade.

The firm’s address was particularly significant. Rue de la Paix had established itself as a centre of Parisian luxury during the nineteenth century, attracting an international clientele drawn to the city’s reputation for craftsmanship, fashion and refined living. The street became synonymous with the elegance of the Belle Époque, a period when French decorative arts enjoyed extraordinary international prestige.

Although relatively little has been documented about the origins and eventual closure of Maison Moutot, surviving objects bearing the inscription Moutot, 18 Rue de la Paix, Paris preserve an interesting connection to this period of Parisian commercial history. They represent a time when the distinction between manufacturer and retailer was often secondary to the reputation of the establishment through which an object was sold, and when a prestigious Paris address carried considerable significance.

The condition of the piece is excellent throughout, having seen very little signs of being used. There is a little wear to the silver but the gold plating is clean and consistent throughout.  There are French assay and maker poinçon marks stamped into the cup and neck of the bottle. 

Made in France, England, 1900.

Height: 4.5"


Price $695.00

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Item Dimensions
Height
4.25 inches (10.795cm)
Widest Part of Body
1.25 inches (3.175cm)