1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A pocket lighter with applied art work.  The lighter is made by the Zippo lighter company of Bradford, PA.  The lighter has what is known as a "Town & Country" design applied  to the body.  This is done by hand applying paint to engraved patterns in the body.  Introduced in the 1940's, the application of the paint gradually evolved from painting by hand to silkscreen-type processes through the 1960's.  The later silkscreen versions are often referred to by collectors as "transitional".

USS Hancock (CV/CVA-19) was one of 24 Essex-class aircraft carriers built for the United States Navy during World War II. Hancock was the fourth U.S. Navy ship to bear the name of Founding Father John Hancock, who served as president of the Second Continental Congress and first governor of Massachusetts. Commissioned in April 1944, the Hancock participated in several Pacific Theater campaigns, earning four battle stars. Decommissioned shortly after the war, the carrier was later modernized and recommissioned in the early 1950s as an attack carrier (CVA). In this second phase of her career, Hancock operated exclusively in the Pacific, playing a prominent role in the Vietnam War, for which she earned a Navy Unit Commendation. Notably, she was the first U.S. Navy carrier to have steam catapults installed. The Hancock was decommissioned in early 1976 and subsequently sold for scrap later that year.

This lighter was made and purchased toward the end of the Vietnam War, and as illustrious as the history of the Hancock was, it is more pertinent to focus on the period from which a sailor purchased this piece.  It played a major role throughout the conflict, right up until the end of the war.  The Hancock arrived in Japan on November 19 and soon began patrol operations in the Gulf of Tonkin's Yankee Station. She remained active in Vietnamese waters until early 1965 when she headed home. In November, the carrier returned to the war zone and continued her patrols off Vietnam, with brief respites in Hong Kong, the Philippines, or Japan, until returning to Alameda on August 1, 1966. Hancock's outstanding combat performance during this tour earned her the Navy Unit Commendation.

Following West Coast operations, the Hancock returned to Vietnam in early 1967 and resumed strikes against Communist positions. After fighting through most of the first half of 1967, she returned to Alameda on July 22 and immediately began preparations for her next deployment.

In the summer of 1969, the Hancock was back in Alameda prepping for another Southeast Asia deployment. During night landing exercises in July, a crashed F-8 caused extensive flight deck damage, leading to a round-the-clock repair effort to ready the ship for deployment.

In November 1970, the Hancock, along with USS Ranger and USS Oriskany, conducted air strikes against North Vietnamese missile and anti-aircraft sites in response to attacks on U.S. reconnaissance aircraft (Operation Freedom Bait). Hancock then alternated with Ranger and Kitty Hawk on Yankee Station until May 10, 1971 when she was relieved by Midway.

The USS Hancock returned to Yankee Station with USS Coral Sea by March 30, 1972, flying tactical sorties during Operation Freedom Train against targets in North Vietnam in response to the invasion of South Vietnam. From April 25-30, her aircraft struck enemy-held territory around Kontum and Pleiku.

On March 17, 1975, Hancock offloaded her air wing at Subic Bay. On March 26, Marine helicopters embarked on Hancock, which then supported the evacuation operations of Phnom Penh and Saigon in April 1975. In May, Hancock was alerted but not utilized for the recovery of the seized SS Mayagüez.

The lighter has the date code on the base for having been made in 1974. The lighter is in "New Old Stock" condition having never been struck or filled before.  The original box and paper guarantee are also present.  A rare and perfect example of a military lighter, now fifty years old.


Price $485.00

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Item Dimensions
Height
2.25 inches (5.715cm)
Width
1.5 inches (3.81cm)