A Day

A story presented by

Scene 1:

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster



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A natural cabochon turquoise silver ring set onto a hand hammered ring.  This ring has a great presence on the finger and is dictated by the beauty of the large and polished turquoise center stone.  With a stone like this there is not much cause to add any stamping or excessive detail to the mount. The stone is so eye catching and vibrant that any adornment would detract from its beauty.  The simple and quite wide band that the stone setting is soldered onto is a beautiful hand hammered silver band. This finish is achieved by hand working the silver with a small clean and rounded hammer.  The striking into the silver creates this natural looking textured finish.

The style of this ring is possibly that of the Navajo Native American tribe, and was likely made by a jeweler from this tribe.  The Navajo tribe, now located in occupying portions of northeastern Arizona, southeastern Utah, and northwestern New Mexico, was the first Native American group to learn Mexican silversmithing techniques. Navajo artist Atsidi Chon then taught the art to a member of the Zuni tribe.

For the Native American culture, Turquoise signified water and sky, for bountiful harvests, health and protection turquoise and was also used to visually showcase their individuality, rank and history.

The turquoise stone set into the ring is thought to be ‘Lander Blue' turquoise.  This Lander Blue turquoise material came from a mine in Lander County, Nevada, which a picnicker discovered in 1973!  It produces some of the most beautiful spider-web turquoise ever mined. It is the rarest and the most valuable turquoise in the world. Miners find less than 110 pounds of this beautiful spider-web turquoise.  It is a stunning example of turquoise and in wonderful condition.  It has this wonderul fine webbing running throuhgh it, and this misty eye catching blue hue.

The ring is not marked, which is sometimes the case.  Therefor the maker could be identified, but is believed to be a Navajo silversmith.  The ring is a size 8.5.  This ring cannot really be sized as it will likely ruin the hand hammered finish to the band.  However, it is a size that will fit most hands.

Price $320.00


Item Dimensions
Height of front
0.82 inches (2.0828cm)
Width of front
0.72 inches (1.8288cm)