1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver tea caddy. This stunning clean Art Deco box has a hinged lid that closes very tightly in order to keep the contents fresh. As one would imagine from such a fabulous and renowned maker, the quality of the hidden piano hinge is spectacular. It can barely be noticed when looking for it from above. There is a small Deco style finial detail on the top of the lid to aid opening it once tightly sealed. It is wonderful quality and was made using a thick heavy gauge of sterling silver. Given its elegant and sharp geometric lines it will look at home today in the most modern of environments.

Few objects capture the ritual of tea quite like the tea caddy. More than a container, it has long been a symbol of refinement, ceremony, and status.

When tea first arrived in Europe in the 17th century, it was a rare and precious commodity—measured out in ounces, savored in drawing rooms, and guarded like treasure. The vessels that held it were no less remarkable. Inspired by Chinese porcelain jars and named after the “catty,” a traditional Asian weight for tea, the earliest caddies were exotic imports, adorned in blue and white, and reserved for the most discerning households.

By the 18th and 19th centuries, as tea drinking blossomed into a cornerstone of British society, the tea caddy evolved into an art form in its own right. Crafted from rich mahogany, rosewood, or tortoiseshell, and often inlaid with ivory, brass, or mother-of-pearl, these boxes were as much display pieces as they were practical storage. Many were fitted with locks—the mistress of the house keeping the only key—underscoring just how prized their contents were.

Across cultures, the role of the tea caddy shifted but remained steeped in ritual. In Japan, for example, finely crafted chaire and natsume are central to the tea ceremony, embodying elegance, precision, and quiet beauty.

Though the need for lockable chests faded as tea became commonplace, the allure of the caddy has never waned. Today, antique examples are cherished by collectors, while contemporary makers still honor the tradition—crafting pieces that preserve both the freshness of the leaf and the timeless grace of the ceremony.

A tea caddy is more than storage. It is history you can hold, a vessel of culture, craft, and ritual that continues to whisper of centuries past.

The caddy has a full set of English hallmarks stamped into both the body and the lid. It was made by Vander & Hedges Tessiers Ltd (after 1920). Tessiers of London stands among the great names of Mayfair’s jewellery houses. Founded in the 19th century with Huguenot roots reaching back to the early 1700s, the firm became renowned for exquisite diamonds, fine silver, and timeless design. Incorporated as Tessiers Ltd. in 1920, it served London’s most distinguished clientele, earning a reputation for craftsmanship and quiet prestige. Today, antique Tessier jewels remain highly coveted, embodying the elegance of one of London’s most storied maisons.

Made in England, circa 1929.


Price $875.00

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Item Dimensions
Height
3.6 inches (9.144cm)
Diameter
3 inches (7.62cm)