1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A stainless steel Patek Philippe Nautilus. As iconic watches go in the collecting world, there are fewer that get the pulses racing than the Patek Philippe Nautilus. Initially released in 1976, this was the brand's response to the Audemars Piguet Royal Oak, an avant-garde luxury stainless steel sports watch born out of AP's need to survive the Quartz Crisis. Designed by Gèrald Genta, the same man behind the Royal Oak, the Nautilus drew inspiration from a porthole, featuring a rounded-over octagonal bezel and hinge-like protrusions on the case. With its signature horizontally embossed dial and iconic integrated bracelet, the Nautilus has become one of the most sought-after watches today, thanks to its timeless design, exclusivity, and impeccable craftsmanship.


The Nautilus 3700 “Jumbo” tends to dominate the conversation, but the reference that followed is where the story becomes more nuanced. Introduced as a mid-size alternative, the 3800 brought the Gérald Genta silhouette to a 37.5 mm case, with a slightly thicker profile to accommodate a centre seconds movement. It was designed to feel more wearable, more adaptable, and, quietly, more personal. Over its long production run, Patek Philippe offered the 3800 in an unusually broad range of metals and dial configurations, and that variety is precisely what makes the reference so compelling today, and widely collected.

Unlike the 3700, the 3800 resists neat “series” classifications. Many components appear to have been produced in batches, and features overlap in ways that do not always track cleanly year by year. Still, there are strong patterns. Steel examples are the baseline, but the line also includes yellow gold, two-tone (steel and yellow gold), white gold, platinum, and extremely scarce rose gold. Dials move well beyond the familiar ribbed blue, with white ribbed dials, like this, appearing in standard production from around 1990, and further outliers including radial and “telephone” style dials, Roman numeral variants, and increasingly elaborate diamond-set executions as the 1990s progressed. Date discs matter here: early watches are most often seen with black date discs (and a smaller number with white), while the era from roughly 1990 onward shifts decisively toward white date discs. Dial signatures offer additional tells, including early examples sometimes bearing an accented “Genève” at 12 o’clock, and the sigma “SWISS” signatures at 6 o’clock that can help distinguish period-correct dials from later service replacements.

Mechanically, the 3800 is unusually legible when you look under the hood. Across the reference’s lifespan, two core calibres anchor the timeline, with a clear progression that collectors can track: Calibre 335 SC (early, then updated with quick-set date), followed by Calibre 330 SC in two successive versions, and later a change in beat rate and jewel count. As a practical buying guide, the 3800 rewards careful consistency checks. The monobloc case construction carries internal numbering that should match between the caseback and the “ear” components, and bracelets and clasps evolve through three successive clasp types, meaning an anachronistic clasp can be a quiet sign of later replacement. The best examples are the ones that align across dial, date disc, movement generation, case numbers, and period-correct accessories, with provenance and a coherent story that feels uninterrupted.

Overall, the watch is in excellent condition. It appears to be lightly polished, but edges, distinctive flat bezel and chamfers are all still thick and strong. The dial is in perfect condition. The bracelet is tight with very little sag and the deployant is strong and closes securely..

The watch does not come with the paperwork. There is no Patek box. The service history is unknown, however the watch is keeping perfect time and comes with a year warranty from Foundwell.


Price $64,500.00

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Item Dimensions
Case Width
1.476378 inches (3.75000012cm)