1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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An automatic, stainless steel, Rolex Oyster Perpetual Date reference 1500 model with the classic silver sunburst dial and stick hour markers with a trench like design running through them.  This original dial remains untouched, and in excellent condition featuring all lume plots in tact that have a slight lemony colour. The printing of the serif text and chapter hash marks are in black, which stand out well on the dial. The classic, white gold, baton hands also contain the original luminous material, which matches the plots perfectly, and respond the same under ultraviolet light.

The watch is powered by the classic Rolex, Swiss made, twenty six jewel automatic caliber 1570. A movement that also powered the iconic sports watches of the time, such as; the Explorer and the Submariner. Technically, the 1570 is very similar to the iconic and well-known 3135. They both feature a free-sprung balance, and hairspring overcoil, however, the 3135 did feature some upgrades, one of which is the beat frequency. It was introduced all the way back in 1965, and remained in the Rolex stable of watches till about 1974. As can be seen on the dial of this watch, it did obtain COSC certification hence the dial mention being printed with the 'official chronometer certification'.

Either side of the "T SWISS T" are a flanking pair of “sigma” letters just below the 6 o’clock marker. This was a sign chosen by members of the l’Association pour la Promotion Industrielle de l’Or (APRIOR), to apply to dials in 1973, the charge was led by the Federation of the Swiss Watch Industry with a clear mission: promote when gold parts were used on a watch to enhance the perceived intrinsic value of a traditional watch. One must remember the exact context of what was going on in the Swiss watch industry at the time. Mechanical watches were about to become technically obsolete as quartz movements were on the rise, in a world facing a strong economic recession, no less. And what better way to underline the deeper value of the good old mechanical watches than by mentioning their intrinsically valuable components. The ‘sum-of-the-parts’ logic here might sound twisted at first, but it becomes much less so when correlated to the skyrocketing price of gold, which almost quintupled between 1970 and 1974.

The sigma symbols were proof that the hands and indexes on a watch were made of solid gold. “A watch signed with the sigma is a durable investment,” emphasized the APRIOR in marketing campaigns. There are exceptions to the 1973 rule, as Rolex watches can be found from around 1970, but with regard to this watch, and other very high end Swiss watches from the period, this is why the addition of the sigma letter to the dial can be found.

Made circa 1974, with a serial number 3611XXX engraved between the lugs. The watch is in original condition, lightly polished over the years, and on a tight, but later production, stainless steel Oyster bracelet.  The watch comes with a Foundwell one-year warranty against mechanical failure. This is a great looking, timeless piece of design that, if there is only one watch you own, it should be something as classic as this.



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Item Dimensions
Case Size (not inc. crown)
1.338 inches (3.39852cm)