1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat yellow gold Patek Philippe Calatrava reference 2484.  If you are looking for quite luxury in a wrist watch, then the Calatrava line from Patek is hard to bear.  The Patek Philippe Calatrava, still in the line today, is the pinnacle of elegant, simple and classy watch design paired with the best watch making money can buy.  This example, in solid eighteen carat yellow gold, is a more rare example and presented in stunning original condition.

Produced in limited numbers from 1950 through the early 1960s, the iconic ref. 2484 is a true Patek Philippe gem. Its timeless dial design is elevated by the brand's signature ridged lugs, while the celebrated Wenger case maker – the same case maker responsible for the legendary ref. 2499 – lent its expertise. Rare, refined, and remarkably wearable, this elegant timepiece is primed to grace the wrists of discerning collectors for generations to come.

The design is so simple and elegant in this watch it leaves one nothing to not like.  The very clean dial, fine pencil hands, and the subsidiary seconds dial, an added complication sweep around the diamond-cut applied indices and the drilled minute track.  The dial in this example is in superb condition.  It has never been cleaned by Patek as the Patek signature is bold as it would have been from the factory, as is the printing on the subsidiary dial, and there are no condition issues with the dial. The "swiss" signature is present at the foot of the dial.  This watch was made in the late 1950's, so now over sixty years old.  It is hard to imagine finding another from this period in better condition.

The watch is presented on its original Patek alligator band, original eighteen carat yellow gold Patek buckle and is all likely unpolished. The case size measures 32.5mm across, and wears superbly. It sounds "small" but they wear well. This was a classic size for a gentleman's dress watch. There is no Patek box or paperwork with the watch. If you are looking for a beautiful and clean dress watch, there can be few to beat these watch icons!


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Item Dimensions
Case Width (not inc. crown)
1.279528 inches (3.25000112cm)