1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A silver plate cocktail strainer made by Martini. This is perhaps one of the 'essential' bar tools for any home bar, or professional bar. The traditional cocktail strainer comes in two forms; The Julep strainer and this, the Hawthorne strainer.

The julep strainer is shaped like a bowl with a handle, and will fit tightly into a mixing glass or shaker when inserted at the proper angle. Liquid passes through holes or slits in the bowl.  The Hawthorne strainer has a rim with a handle and two or more stabilizing feet. A metal spring, or coil, is fixed around the edge of the rim and rolls inward to fit inside the glass. The rim of the strainer does not need to touch the rim of the glass in this style of strainer, as the spring inside filters out the ice. The spring acts as another way to strain the drink and allowing for more control. Atop the strainer is a tab with which you can push the strainer over the edge of the vessel containing your cocktail to be strained; engaging the double strain function.

The julep strainer came first, but it was not the perfect tool for all cocktail requirements. So, bar owner Nathaniel Hawthorne, in his Boston bar, patented the tool to provide a different and better strain for cocktails. It was modeled on Chinese tea strainers, however the easily removable and cleanable coil did most of the straining work. As ice in drinks rose in both popularity and availability across the country, the Hawthorne strainer, with its superior straining capabilities, became the weapon of choice for bartenders across the globe.

However, the Hawthorne strainer was not actually named so until a few decades ago, and before was simply called a “cocktail strainer”. Originally the name Hawthorne was stamped into the Hawthorne strainer, but this practice dropped off after some years. Some vintage examples still bear his name. The head plate, or rim, can come with a variety of perforations and slots in it. This is where, in the example, the 'Martini' name is stamped. 

These Hawthorne cocktail strainers have remained largely unchanged since its conception. Some may use a tighter spring, some have more or less holes, some rearrange these holes, some have longer handles. This one is perhaps the perfect size for conventional Martini and cocktail use. The handle is also engraved with the Martini logo. It is not marked with any other maker or country of origin. The perfect way to make your Martini's at home. European made, circa  1930's.


Price $365.00

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Item Dimensions
Length To Handle
7.5 inches (19.05cm)
Width of Strainer
3.75 inches (9.525cm)