1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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This is perhaps, along with the Derby golf bag and the Napier Penguin cocktail shakers, one the most iconic of American made cocktail shakers. The Boston Lighthouse was the first lighthouse constructed in America, built in 1716, and still in use today. This structure is a much loved piece of the American landscape. Destroyed by the British in 1776, it was swiftly rebuilt in 1783 sitting on little Brewster Island, in Boston Harbor. Raised to its present height of 89 feet in 1859, this updated version would become the inspiration for this wonderful cocktail shaker, produced by the International Silver Company.

Coming in two sizes, this, the smaller version standing at 14”with two levels of windows and the largest version at 21” with three levels of windows and a 48 oz. capacity. The largest version appeared in their catalog in 1929, called ‘No. 352 mixer’ and costing $50!

Again, this was an alcohol related piece being made during prohibition, making this a very interesting statement from one of the leading houseware manufacturers in the country at the time. The lighthouse being a symbol of defiance launched to hold cocktails; perhaps a symbol of defiance to the authorities who moved to control the way in which the American people spent their personal time and money.

A three piece construction to the shaker, it is a real statement piece for any bar, or purely as an object relating to American history and resistance. Signed on the base by Shreeve Crump & Low. 

Tracing its roots back to 1796, Shreve, Crump and Low is arguably the oldest jeweler in America. It all began when watchmaker and silversmith John MacFarlane opened a novelty shop in Boston. MacFarlane sold the business to gold and silversmith Jabez Baldwin in 1813, and one of Baldwin's apprentices, John Low, became a partner in 1822. Over the next two decades, the firm changed hands and names six times before Benjamin Shreve joined in 1855, followed by Charles Crump that same year.

In 1865, William Shreve returned from the Civil War and became a partner, and four years later, in 1869, the firm was reorganized under the management of Charles Crump, giving birth to the iconic Shreve, Crump and Low. Business boomed as Crump frequently traveled to Europe, bringing back the latest in stylish jewelry and silver. Though the 1872 Boston fire ravaged the store, it bounced back, moving to its largest location near the Boston Commons, before relocating to its current Back Bay premises in 1930.

While not known as an innovator, Shreve, Crump and Low has consistently provided its clients with fashionable, high-quality jewelry and silver. The firm has also been entrusted with prestigious commissions, such as producing the Davis Cup in 1899 and the Cy Young Cup in 1908, cementing its reputation as America's venerable jeweler.

This is, to the best of our knowledge, the only Shreeve signed version of this formidable and highly collectible shaker to ever make it to market. We undertook an auction with Sothbeys in 2020 where a Meridan signed version of this shaker sold for $17500. This example, in perfect condition, is much more rare. It is likely to not be one of a kind. But, it is likely that these shakers, that were expensive when they were new, were commissioned in a series of under ten pieces for sale in this unique piece of American retail history.



Price $14,500.00

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Item Dimensions
Height
14 inches (35.56cm)
Diamter at Base
5.25 inches (13.335cm)