1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver and turquoise cuff.  This is a unique piece of classic Navajo silversmithing. It is an exquisite, hand-made piece of Native American item of jewellery, signed by the artist. Such a high degree of complex workmanship has gone into making this cuff. The classic Navajo stamped elements are interpreted uniquely by each artist. The center stone is additionally set onto the cuff into its own center piece with hand braided rope setting. No coroners were cut when making this piece of jewellery, and no expense in selecting the thickness of the metal.

The surrounding framework of the cuff is detailed with classic Southwestern stampwork and layered appliqué detail. The design is anchored by the stunning and substantial freeform turquoise cabochon, bezel set and framed with twisted rope-wire, then crowned with a line of small stamped rosettes that give the centre a crisp, architectural edge.

Across the shoulders you see a traditional vocabulary executed with real intention: sunburst rosette stamps, radiating fan and liner stamping, and tight border work that sharpens the geometry. The little “drop” motifs and floral elements are not pressed into the silver, but soldered on as appliqué, adding depth and shadow in the way the best Navajo-style cuffs do.

The turquoise itself carries the look collectors want: saturated blue-green colour with natural matrix and warm iron staining. A confident statement piece, made to wear like sculpture and built with enough presence to stand on its own. This detail then makes its way right to the edge of the cuff frame that is stamped.

The turquoise stone set into the cuff is thought to be rare and spectacular Easter Blue turquoise hand selected for this ring. Easter Blue, in the Royston mining district, produced a small amount of turquoise on a sporadic basis over several decades. Very little of this material is gem grade. This natural specimen represents the very finest quality ever to be discovered at the claim.  The oval shaped cabochon featured is a gorgeous blue green colour with earthy brown matrix centering through the stone.

The cuff was hand-made by Navajo artist Kris Singer. It has a bold "KS" stamped into the inside. This font selection seems to apply to Singer. Very little can be found on Singer, but looking at this work, it is exceptionally made and by someone very famiuliar with the history and techniques dating back hundreds of years. 

The cuff is handmade in American, dating circa 1980's. It is signed on the back, along with the "Sterling" stamp. The cuff is a good average size, and can be slightly manipulated either to make it more loose or tighter by manipulating the end pieces. Care must be taken, but there is strength in the thick gauge of silver to allow it to be slightly altered without damaging the stone.

Dimensions - Height at the front 1.75. Total Length - 6.5. Opening - 1.25


Price $875.00

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Item Dimensions
Height of front
.1.75 inches (0.0cm)
Total Length
6.5 inches (16.51cm)