1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid sterling silver bar link necklace. This is a lovely quality, well made chain. The design is a long bar with pinched end pieces that is connected by a solid round link. A versatile necklace that looks great on its own, or can be used to hand a charm or pendant. The necklace was made by the silversmith Jørgen Jensen.

Jørgen Jensen (1895–1966) was one of Denmark’s most accomplished silversmiths and designers, best known for his work under the shadow of one of the country’s greatest names, Georg Jensen. The eldest son of Georg Jensen, Jørgen trained in the family workshop from an early age, absorbing the principles of exceptional craftsmanship and Scandinavian design that would come to define Danish silver in the twentieth century.

While his father’s work is celebrated for its flowing Art Nouveau forms, Jørgen helped guide the company into a new era. His designs embraced the cleaner, more restrained aesthetic that emerged during the 1920s and 1930s, balancing elegant simplicity with meticulous attention to detail. He produced an extensive range of jewellery, hollowware, and decorative objects, often favouring sculptural forms and subtle ornamentation over elaborate decoration.

Jørgen Jensen was particularly skilled at creating jewellery that felt both modern and timeless. Many of his sterling silver brooches, pendants, and accessories feature stylised natural motifs or geometric forms, reflecting the evolution of Danish Modern design. His work exemplifies the Scandinavian philosophy that beautiful objects should also be functional, wearable, and made to last for generations.

Today, pieces designed by Jørgen Jensen are highly regarded by collectors for their quality, restrained elegance, and historical importance. They represent an important chapter in the evolution of Danish silver, bridging the organic artistry of the early Georg Jensen years with the clean, modern aesthetic that would come to define mid-century Scandinavian design. Whether worn as jewellery or appreciated as works of decorative art, Jørgen Jensen’s creations remain enduring examples of Danish craftsmanship at its finest.

This is a very high quality and early chain.  It has a great weight to it, and is twenty four inches in length, so a very comfortable size. The necklace has a classic bolt ring clasp. Curioulsy there is no signature on the piece. However, this dead-stock piece has the original hang tag from the maker.. The chain looks as in place today as it would have done one hundred years ago!

Made in Denmark, circa 1950's.


Price $580.00

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Item Dimensions
Length of Chain
24 inches (60.96cm)