1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A polystrene silk screen table top art.  This is a fantastic interactive piece of art by an influential American abstract artist; Henry C. Pearson.  This compelling circular study is comprised of three pieces; base, lid and clear fine plastic center.  By rotating the top the patterns merge and interact over each other.  The contract of the red and green colourways providing for a mesmerizing piece of interactive art.

Originally launched in the MoMA as part of the Holiday gift guide in 1968.  The original press release read:

"Also new this year are Henry Pearson's Moiratron, a polystrene box six inches in diameter with silk-screen designs that produce moire patterns when the top Is turned ($4.00)."

Henry C. Pearson (October 8, 1914 – December 3, 2006) was an American abstract and modernist painter. Pearson was born in Kinston, North Carolina, graduated from the University of North Carolina in 1938, and studied theatrical design at Yale University. He served in the U.S. Army Air Corps in the Second World War, designing maps for the Okinawa campaign, and then re-enlisted to serve in the US occupation of Japan, where he was influenced by Japanese art and theatre forms. Moving to New York in the early 1950s, he studied at the Art Students League of New York with Reginald Marsh and Will Barnet; he remained friends with Barnet for the remainder of his life. Pearson was loosely associated with the Op Art movement and the famous Responsive Eye exhibition at the Museum of Modern Art in 1965. Other influences were Piet Mondrian and Kasimir Malevich. Pearson was known for abstract, multi-colored globes; 'stochastic' or chance-generated paintings; paintings modeled on Dogon (West African) sculpture; as well as paintings based on the map work he did in the army. In general, his mode was hard-edged abstraction, although not without traces of humor and whimsy. His works are in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the North Carolina Museum of Art. He taught at The New School for General Studies and the Pennsylvania Academy of Fine Arts for many years. Pearson was also greatly interested in literature and illustrated several poems by the Irish Nobel Prize–winning poet Seamus Heaney. His correspondence with Heaney, and his comprehensive collection of Heaney books, manuscripts and memorabilia, is now housed at the University of North Carolina. Pearson died in 2006 after a long illness.

The piece comes in its original card box that does show some damage from moisture exposure.  There is also an accompanying letter from the Marilyn Pearl Gallery in New York.  This is a press release from an exhibition of Pearson's work in 1988.  It is likely that this piece was purchased from the exhibition.  The letter describes Pearson's career and the exhibition.  The letter will accompany the artwork.

This is a great piece of modern art, and an early example of artist's work being sold through the MoMA gift store in New York. The piece is signed on its edge for having being made for, and sold at the MoMA store, in 1968.


Price $475.00

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Item Dimensions
Diameter
6 inches (15.24cm)
Height
1 inches (2.54cm)