1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A gold filled Hamilton Otis manual wound watch. This is probably one of the most recognizable wristwatches ever made. But, this is not what most come to expect when they see this case. This is not from the iconic Swiss watch maker. THis is from the giant of the US watch making industry from this time; Hamilton.

The many elegant and innovative watch designs of the 1930's and 1940's for which Hamilton were known for have largely faded from the public consciousness. It was during the Art Deco Jazz Age that they wanted to add one more inocinc watch to their line up; the Otis "Reverso" from Hamilton. Seeking to capitalize on Alfred Chauvot's pioneering reversible case design, Hamilton produced the Otis in 1938. This stunning watch featured Chauvot's ingenious case, crafted in either solid gold or, like this version, a fourteen carat gold-filled, complemented by a choice of black or white dials adorned with bold, eye-catching Breguet-style numerals

This an excerpt from Hamilton' catalog at the time about the Otis:

"Exclusively Hamilton, this smartly designed strap watch ingeniously fulfills its double duty in a practical foolproof manner. Slight pressure from the side, a flip of the finger - and the watch locks firmly into reversed position."

However, this is not where the story ends. Needless to say, another watch maker that was making its own version of this iconic case design, Jaeger LeCoultre, sought to enter into a law suit to stop Hamilton from making their own "Reverso". The lengthy legal battle finally concluded after three grueling years in court, with JLC emerging victorious. As a result of the lawsuit's terms, Hamilton was restricted from producing the Otis model unless the movements were supplied by Tavannes, Movado, or JLC. Confronted with this ultimatum - to either use another brand's movements or halt production entirely - Hamilton made the difficult decision to discontinue the Otis from their product lineup in 1940.

The case is fully signed on the inside of the case back for Hamilton PA, and case maker; S&W. Schwab & Wuispard Case Co. (S&W) was a watch case maker in New York City that produced cases for Hamilton, Elgin, Longines, Girard Perregaux, and other brand. The watch is powered by the manually wound caliber 980 which was launched by Hamilton in 1934. The Hamilton 980 watch movement, produced from 1934 to 1951, was designed for small-scale, high-quality manufacturing in collaboration with E. Howard Boston. Approximately 700,000 units were made during this period, a relatively low number for American condition. The movement is clean and keeping good time. But, please remember this is a watch that is now nearly ninety years old.

The dial is believed to be all original, and is in excellent condition, given its age. The black dial is by far and away the most attractive version of the two dial variants produced. The printing is all in gilt chemin de fer along with the subsidiary seconds dial, which pop from the black dial, and the stylish applied numerals are a stunning detail.

Overall, this is a very important and rare chapter of America's watch making history, given its short run and controversial lifespan. Using and wearing these watches, regardless who made them, is something special. Even the most skeptical of watch wearer will enjoy seeing this watch working. In this configuration and condition it is a piece that is rare and noteworthy.


Price $4,350.00

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Item Dimensions
Case Width
0.944882 inches (2.40000028cm)
Case Length
1.5748 inches (3.999992cm)