A Day

A story presented by

Scene 1:

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster



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A solid eighteen carat gold poison ring with a heraldic "church" style bell hand carved into the front.  This exceptionally rare and wonderfully made ring from first glance is a simple and elegant signet style ring.  However, upon close examination lies a wonderful secret compartment.  A compartment that, due to its sometimes sinister uses over the years, acquired this moniker.

Originating in ancient India and the Far East, the poison ring eventually made its way to Europe. The traditional poison ring had a very small container hidden under a hinged cover, as is the case here.

Ancient Romans sometimes used poison rings to commit suicide when a painful death was unavoidable. The historian Pliny, the Elder (23-79 CE) recounts how a Roman government official escaped torture by taking a bite out of his poison ring (a thin shell was the container for the poison). The teenaged Emperor Heliogabalus (203 CE – 222 CE), feared because of his cruelty and notorious for his debauchery, wore a poison ring but was assassinated before he could ingest its contents.

A poison ring may have also played a part in ending an aristocratic feud between two powerful families in the Middle Ages. In the 21st century, archeologists in Bulgaria unearthed a bronze ring with a secret compartment. It is theorized that poison in the ring may have been used by Dobrotitsa (1347-1386), the ruler of Despotate of Dobrudja, against an influential family in the Kaliakra fortress.

Poison rings, also know as pillbox, compartment, locket or vessel rings had a benign purpose. During the Middle Ages, they were often used to hide relics of saints, like bits of their hair, bone and teeth, which were thought to protect the wearer from various calamities and maladies. During the Renaissance, the aristocracy used them to hold cologne, locks of hair, and portraits of loved ones.  Which is the case with this wonderful example containing a hand tinted late Victorian photograph of a lady in a summer hat.  This can be removed to add a new photograph, if so desired.

Lucrezia Borgia (1480-1519), an Italian noblewoman and only daughter of Pope Alexander VI, was said to be adept at using poison rings for disposing of political rivals. Experts note that disguising the taste of poison and making a dose powerful enough to be fatal but still fit in a ring was extremely difficult, so victims by this method of murder may have been few.

The ring is English made with English control marks for "18ct" and , is a US size 7.5 ring size, but can easily be sized if needed.  There is also the makers marks alongside the control marks for "C. G & S".  Circa 1890's.

Price $0.00


Item Dimensions
Front of ring width
0.434 inches (1.10236cm)
Front of ring height
.523 inches (0.0cm)