1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver bottle holder in the form of a magnum size bottle of champagne. This spectacular looking, high quality decanter is made  to resemble a champagne  bottle. The crystal bottle itself is made in a thick gauge of sterling silver. The bottom has a hand formed indentation that is typically found on wine and  champagne bottles in order for them to be poured. The cork area on the neck of the bottle can be removed to decant the champagne from the bottle hiding from within. The bottom of the bottle has a bayonet style fitting that unscrews in order to insert the full Magnum size bottle inside. Any brand of champagne should fit inside. The bottle is then tightly screwed back in to allow pouring from the silver exterior.

The bottle is all fully decoarated by hand engraving all of the designs found on a real bottle of champagne. The branding of Moet & Chandon can be found on the collar of the neck of the bottle. Under the direction of Jean-Rémy Moët in the early 19th century, the maison expanded its cellars and refined production techniques, balancing consistency with scale at a time when many smaller growers struggled with quality control. The introduction of cuvées such as Brut Impérial reflected a shift toward a drier, more modern style, aligning the house with changing international tastes while maintaining the precision and elegance expected of the region.

Today, Moët & Chandon remains one of Champagne’s most recognisable historic producers, blending tradition with global reach. Its legacy is rooted not only in volume, but in the cultivation of an enduring image: Champagne as a marker of ceremony, travel, and cultural exchange, shaped as much by history as by the vineyards themselves.

These bottles in original condition, such as this, are exceptionally rare today, especially in this size. They can be used purely for a large statement decorative piece in any bar, or they can be used to decant champagne for a special occasion.  Quite often these are bought to mark landmark occasions. The blank front label can be hand engraved with a particular message on the front as a permanent way to mark this special occasion. 

The bottle was made in London, England, by esteemed silversmith Garrards & Co. Ltd., in 1968. The condition is perfect  throughout. Founded in London in 1735 by George Wickes, the firm that would become Garrard & Co began as a refined silversmithing and jewellery workshop serving an increasingly sophisticated Georgian clientele. Known for precise craftsmanship and restrained elegance, Wickes established a reputation that attracted aristocratic patrons, laying the foundations for what would later become one of Britain’s most recognised luxury houses.

In 1843 the business was acquired by Robert Garrard, whose family transformed it into a leading royal jeweller and silversmith. Appointed Crown Jewellers in 1843, Garrard became responsible for the care and creation of many ceremonial objects associated with the British monarchy, producing presentation silver, regalia, and fine tablewares that reflected Victorian ideals of permanence and craftsmanship. Their work balanced classical English design with evolving tastes, from restrained Georgian forms through to more elaborate mid-Victorian ornament.

Throughout the late 19th and early 20th centuries, Garrard expanded its reach beyond court commissions, supplying finely made domestic silver alongside important ceremonial pieces. Today the name remains closely linked with British heritage and royal patronage, its silver objects embodying a tradition of precision, formality, and enduring design that reflects the broader narrative of English silversmithing.

If you are looking for the perfect gift to mark a special occasion, or are simply a champagne lover, there is no better item that can be sourced. With today's metal prices, it is highly unlikely that anything like this will be made in sterling any longer. 


Price $15,995.00

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Item Dimensions
Height (inc. stopper)
18 inches (45.72cm)
Width (widest part)
5 inches (12.7cm)