A Day

A story presented by

Scene 1:

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster



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A sterling silver and gold plated base metal pair of Dunhill table lighters in the what was known as the 'ball' model. This classic petrol lift arm lighter model was introduced by Dunhill in 1928 and remained a popular piece in the collection until the switch to gas in the 1960's. This example is known as the 'Ball' lighter, for obvious reasons. The Ball was launched with a straight lift arm initially in 1928, and then with a curved lift arm in 1929. It was launched in two sizes and came in both sterling and in different carats of solid gold. The fabulous design of this piece allows it to always sit upright on a table, due to its weighted design. It appeared from 1929 up until 1933 in the Dunhill catalogues and was then removed form the offering. This lighter was even re-introduced by Dunhill in the 1990's to great success. Photographed here are two different examples of the lighter. The first is an engine turned gold plated example, gold plated onto a base metal. This is quite rare to find. They were either made in sterling silver or solid gold. The lighter itself is in very good condition however, there is plate loss to parts of it. It does retain a lot of charm, and it has been decided to leave it 'as is' and not try to re-plate it. The colour of the gold found on it as is would be replicated today, and would change the original condition the lighter is found in today. The second example is a sterling silver, engine turned version. The lighter is in excellent condition with a couple of very small bruises to the body, and is fully hallmarked throughout. The assay marks are from the London hallmarking office and date the piece to having been made in 1929, making this only the second year the lighter was made. To fill the lighter, simply unscrew the center piece on the base and fill with conventional lighter fuel. Both pieces are in perfect working order, they will simple require lighter fuel adding. Please note lighters are priced separately, so please make sure to check and order the  one desired.

Price $0.00


Item Dimensions
2.25 inches (5.715cm)
2 inches (5.08cm)