1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat yellow gold Cartier Gondole. This model was part of the big shift in the late 1970's early 1980’s to increase the offering of the Cartier watch collection. There were a vast number of new models such as the Ceinture, Faberge, Cristallor, and this; the Gondole. Initially introduced in three distinct case sizes - a 21.5 mm, and this the automatic 27 mm variation. The following year, the collection expanded further with the release of a jumbo 34 mm version, allowing wearers to choose the Gondole that best suited their personal style. It came in white gold as well as yellow, with the white being much more rare. This example presented here is the medium size example at 27mm by 31mm. This is fantastic, larger format size and will suit those who like a larger scale watch.

The big shift in this watch was the movement selected for the mid-size model. The watch is powered by the Cartier, ETA-made caliber 76 automatic movement, hence the bump in the case back, produced in order to make space for the rotor. Introduced in 1971, the ETA calibre 2671 is a remarkably compact Swiss automatic movement developed primarily for smaller wristwatches. Measuring just 17.2mm in diameter and 4.8mm in height, its dimensions made it particularly well suited to the smaller and more unusually shaped cases favored by Cartier during the latter part of the twentieth century.

The 2671 belongs to ETA’s long-running 2600 family and was a relatively sophisticated small automatic for its period. It operates at a high frequency of 28,800 vibrations per hour, with automatic winding, central seconds and a quick-setting date mechanism. Depending on the period and specification, examples can be found with 17, 21 or 25 jewels. 

Cartier adopted the ETA 2671 as the basis for movements used in a number of its smaller automatic watches. Its appeal was practical rather than decorative: compact, dependable and readily serviceable, it allowed Cartier considerable freedom in case design without sacrificing the convenience of an automatic movement. The calibre continued to have an unusually long life, and versions of the 2671 remained in production decades after its introduction, testament to the strength of the original design

It has the classic design elements: The less common and more desirable "Paris" signed dial is archetypal Cartier: Roman numerals, chemin de fer minute track, hidden signature at seven o'clock and features the iconic sword-shaped blued steel hands. This model did not come with a date window. This creates a cleaner, simplified look overall. The dial is in good condition with siight crazing to it. This is most often found on the dials on models from this period.  .

The watch is presented in good original condition, unpolished with strong lines and clean throughout. There are some signs of light wear, but nothing distracting. 

These are wonderful cases to wear. They offer a very unique and different perspective to the classic line of watches like the Tank and the Santos. Also, no longer being in the line today gives them a more rare feel. The watch is presented on its original Cartier alligator watch band and a gold plated Cartier Tang buckle. 

There are no papers or box with the watch. The service history is unknown, but the watch is running well keeping good time. A Foundwell one year warranty will accompany the sale of the watch.


Price $18,650.00

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Item Dimensions
Case Width
1.06299 inches (2.6999946cm)
Case Height
1.22047 inches (3.0999938cm)