1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

Shopping Bag

Your cart is empty.


A solid nine carat cufflinks in the form of a classic rectangle with a pair of hand painted portraits of a Sealyham Terrier. These are spectacular miniature hand painted marvels framed on a rectangle panel. On each side of the cufflinks is a panel with a hand painted miniature portrait painted to a very high level. The detail and attention paid make each side a miniature masterpiece. They look beautiful on the cuff, and are suitable for all occasions. If you love the breed, there can be no better piece  

This pair is quite unusual in their design with each cufflink having one painted panel, and one hobnail engine turned panel. This enginge turned side was designed to be worn on the inside of the shirt cuff. Rather than being left plain, this beautiful textured finish has been applied.

The Sealyham Terrier is one of Britain’s most distinctive and historically significant terrier breeds. Developed in the mid-19th century by Captain John Edwardes at Sealy Ham, his estate in Pembrokeshire, Wales, the breed was created to hunt otters, badgers, and other small game. Edwardes spent decades refining the ideal working terrier, selecting for courage, intelligence, and a compact, powerful build capable of navigating dense undergrowth and rocky terrain.

Unlike many terriers bred solely for utility, the Sealyham quickly found favor among the British upper classes. By the early 20th century the breed had become a fixture in country houses, on shooting estates, and among fashionable society. Its distinctive white coat was intentionally developed so the dog could be easily distinguished from quarry during the hunt, while its robust frame and confident temperament made it equally suited to life as a companion.

Today, the Sealyham Terrier remains one of the rarest native British breeds. Celebrated for its charm, loyalty, and unmistakable appearance, it occupies a unique place in both canine and social history. Its image frequently appears in jewelry, sporting art, and decorative objects, where it serves as a symbol of the enduring relationship between Britain’s sporting traditions and its love of dogs.

They are signed on each panel with a full set of English assay marks and are made in solid nine carat gold, and stamped "375 9". The maker and year marks have sadly been rubbed away over the course of time, and are no longer legible.

The condition overall is very good. There is a scratch to one of the panels. However, it does not affect the paint, it is merely to the top clear coat of the vitreous enamel. 

Made in England, circa 1930's


Price $1,250.00

×

Enquire
Item Dimensions
Width
.4 inches (0.0cm)
Length
.6 inches (0.0cm)