1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat cufflinks in the form of a classic oval with a series of hand painted portraits of a St. Bernard. These are spectacular miniature hand painted marvels framed on a classic oval shaped panel. Each cufflinks panel is hand painted to a very high level.  The detail and attention paid make each side a miniature masterpiece. They look beautiful on the cuff, and are suitable for all occasions. If you love the breed, there can be no better piece  

They are quite large for both the period that they were made, and for oval links in general.  With the dome shape giving them a wonderful look on the cuff. They have a very beautiful soft shape to them that is hand worked, and the gold colour is spectacular.  This is a very early, and high carat gold.  It is hard to describe the colour as being yellow or pink gold.  It pulls hues of both in certain light, and has a richness that is not found in today's gold composition.

Since time immemorial, the towering Saint Bernard-type dogs had roamed the rugged Swiss Alps. The Germanic tribes who once terrorized the Roman Empire deployed these canine behemoths as formidable war dogs. Even the battle-hardened Roman legions were said to quail before these fearsome, four-legged Goliaths.

Of course, the Romans had their own ferocious hound of war: the Molossers from Asia. Breed historians theorize that the Saint Bernard's 1,600-year march to the AKC Working Group began when these Molossers were crossed with the native giants of the Alpine valleys in the first two centuries AD.

In the early 1700s, Oliver Goldsmith marveled at the remarkable rescue dogs of Switzerland's monasteries. These noble canines, he wrote, possessed an extraordinary sense of smell that often allowed them to locate and save travelers buried under deep snow - even when the hapless victims lay 10 or 20 feet below the surface.

The most famous of these alpine heroes was Barry, a Saint Bernard who served at the Hospice of St. Bernard, a refuge for pilgrims braving the treacherous Swiss mountain passes on their way to Rome. Over the course of 14 years, from 1800 to 1814, the legendary Barry saved an astounding 40 human lives.

While the hospice monks had long been training Saint Bernards for rescue work, it was Barry's heroic exploits that cemented the breed's worldwide reputation as the elite of alpine search-and-rescue. So great was Barry's renown that his very name became synonymous with the Saint Bernard - an old Swiss moniker for the breed was the "Barryhund."

They are signed on each panel with a full set of English assay marks and are made in solid eighteen carat gold, and stamped "18K" along with the year mark for having ben made in 1919. Interestingly, the maker marl of "PA ltd." has not been identified.  There appears to be no record of the maker. This likely means they were a commission piece by a small London goldsmith.

The condition overall is excellent, and they are free of any damage to the enamel, or to the gold itself..  A unique find for the Saint Bernard lovers!


Price $5,895.00

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Item Dimensions
Width
.53 inches (0.0cm)
Length
.745 inches (0.0cm)