1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat three color gold Cartier Turbogas earrings. An absolutely stunning and high quality piece of women's jewelry. A particularly strong pair of Cartier hoop earrings from circa 1970, made in eighteen carat yellow, white and rose gold using the house’s distinctive Tubogas construction. The earrings are formed from tightly articulated bands of the three colours of gold, creating a richly textured surface that changes subtly as the light moves across it. Substantial without being oversized, the pair measures 3/4 of an inch drop by 3/8 inch wide.

Tubogas, meaning “gas pipe” in Italian, takes its name from the flexible corrugated metal tubing developed for industrial use in the nineteenth century. Translated into jewellery, the technique involves forming tightly wound strips of metal into a continuous articulated structure. The construction creates the appearance of a solid sculptural form while retaining a degree of flexibility, and requires considerable precision to achieve its characteristic uninterrupted ribbed surface.

Cartier’s use of yellow, white and rose gold also places these earrings within a much longer vocabulary of colour established by the Maison. In 1924 Louis Cartier introduced the Trinity ring, bringing three differently coloured bands of gold together in what became one of Cartier’s most enduring designs. By the middle decades of the twentieth century, the combination had become immediately recognisable within Cartier jewellery, allowing the house to create pieces whose interest came from form, movement and contrasting gold rather than gemstones.

During the 1960s and 1970s, jewellery became increasingly sculptural and gold itself became the principal decorative material. Tubogas was particularly suited to this period. Its industrial origins translated remarkably well into the bold, highly finished jewellery of the era, giving pieces both visual weight and a sense of movement. Cartier employed the technique across bracelets, necklaces and earrings, including examples executed in the house’s characteristic three-colour palette, such as this pair. The design was made in all yellow gold. This three-colour gold variation being more rare and desirable.

These earrings are an especially successful expression of that idea. The closely spaced bands of yellow, white and rose gold read almost as a single piece from a distance, while at closer inspection the construction and individual colours become apparent. Their compact proportions and considerable weight give them the presence associated with 1970s Cartier without becoming overly formal.

The earrings are fully signed on the exterior curve on each one. There is a "750" losenge mark on the inside of each earring for having been made in eighteen carat gold. There is also the unique Cartier product number stamped on each earring.

A beautifully engineered piece of Cartier jewellery in which the technique is as important as the material itself. Made in Italy, circa 1970's


Price $6,450.00

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Item Dimensions
Case Height
0.283 inches (0.71882cm)
Case Width
1.058 inches (2.68732cm)