1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat pink gold and stainless steel Omega Constellation model. This watch has the classic Constellation case with the 'dog leg' lugs and very clean and sharp geometric detail overall. These cases represent classic Omega styling, and really leaves very little not to like. There were mainly three case makers that made these cases for Omega. This Constellation is made by the largest Omega case-maker, "CB," La Cetrale Boîtes of Bien, who were entrusted to execute many "Constellation" Omega cases as well as some of the most iconic of all Omega watches; the Speedmaster.

They are easy to wear, a great size, and will look as good with jeans and a white t-shirt as they will with a suit and tie. Omega has a long history and vast product range, and one of the classic watches the company still produces today is the Constellation. First introduced into the line in 1952, it remains a cornerstone of the brand today.

This Constellation example dates to late 1966. These early models were given a couple of characteristics that would go on to define the collection. The dial has the ‘Constellation’ branding printed on it, and you will notice the applied star logo also. On the heavy and highly detailed case-back is a depiction of the Geneva Observatory with eight stars that represent the eight observatory chronometer competitions Omega won in the 20th century, this time in pink gold. The iconic dome of the Geneva Observatory (Observatoire de Genève), built in 1830 and demolished in 1969, tested chronometers for the Swiss watch industry

These high grade automatic movements made for the Constellation line are chronometer-rated, which is printed on the beautiful silver dial. This watch is powered by the caliber 564. The Omega 564 watch movement was a powerhouse, churning out a staggering 5,800,000 units from 1966 to 1969. This chronometer rated movement boasted an automatic winding system and the renowned Incabloc Shock Protection mechanism, ensuring precision and durability. Beyond its core timekeeping duties, this movement dazzled with a sweep second hand, a calendar with a quick-set feature adjustable via the crown. Quite early for its time. A true workhorse of its era, the Omega 564 was a bulding block that the company went on to only develop and improve future calibers.

The dial is a luminous dial, with the hands also featuring Tritium. The pink gold markers feature a reservoir, inside each of which the Tritium luminous material was applied, as opposed to adding to the end of each, which was commonly the way. These dials are marked "Swiss Made T" at the base, with the “T “for Tritium.

The case on this reference 168.005 overall is excellent. The lugs are solid and strong and the case shows no signs of polishing. The pie pan style dial is original, not re-finished, and is in excellent condition for the age, showing very slight signs of wear.

These watches wear well, wearing large thanks to the large dials, slim cases and longer lugs. This version marks the best, most expensive reference of this iconic watch. If you are looking for the best Omega had to offer in the 1950’s, then this is it.

The watch comes with a Foundwell one year warranty. It does not have the box or paperwork and the service history of the watch is not known.


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Item Dimensions
Case Size
1.378 inches (3.50012cm)