1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat yellow and white gold Harry Winston Tank. When one hears the name; Harry Winston, they automatically think of the world's finest gem stones, and pieces of jewellery starting in the six figure range. However, they also turned their hand to watch making as well. Harry Winston founded his company in New York in 1932 and quickly became associated with some of the world’s most important diamonds and colored stones. It was under Harry’s son, Ronald Winston that watchmaking developed into a more serious and independent part of the business.

Dating back to the early 1990s, the Classic Emerald is one of the more distinctive designs from the formative years of Harry Winston watchmaking. The watch features a beautifully constructed triple-stepped case in solid 18 karat yellow and white gold, manufactured by highly regarded case maker Guyot & Cie SA who made most notably for Patek Philippe. Its sharply faceted edges were designed to evoke the geometry of an emerald silhouette that mirrors Harry Winston’s iconic logo. This architectural quality continues through to the original solid gold buckle, itself constructed in three stepped layers of alternating yellow and white gold.

The quality of these early cases was equally important. Harry Winston employed specialist Swiss case makers and, on certain pieces, sophisticated high-pressure casting techniques capable of creating dense precious-metal cases with unusually crisp edges and facets. It was an expensive approach to producing what were often deceptively simple watches, but entirely consistent with a company accustomed to making objects where material and finish were rarely compromised for economy.

The vertically brushed silver-gray dial is wonderfully restrained, finished simply with polished solid gold hands and allowing the case to remain the focus of the design, and a watch that is easy to read. The watch is powered by a Swiss made quartz movement.

In 2001 Harry Winston introduced the Opus series. Rather than hiding the independent watchmaker behind the name on the dial, Harry Winston placed the creators themselves at the center of the project. The first Opus was created with François-Paul Journe, followed by collaborations with watchmakers including Antoine Preziuso, Vianney Halter, Christophe Claret, Felix Baumgartner of Urwerk and Robert Greubel and Stephen Forsey.

At a time when independent watchmaking was still a comparatively small world, this was remarkably forward thinking. Opus gave some of the most inventive watchmakers of the period the resources and platform of a major luxury house while openly acknowledging their contribution. The series helped establish Harry Winston as an unlikely but important patron of the independent watchmaking movement.

It is the earlier watches, however, that perhaps reveal the house’s philosophy most clearly. Pieces from the late 1980s and 1990s were produced before Harry Winston had become a major name in modern watchmaking and often display an unusual degree of experimentation in their cases and construction. They were watches conceived by a great jewelry house rather than simply watches carrying the name of one.

These early pieces are now gaining traction with collectors and rightly so. They represent beautiful and high level watch making. The condition of this watch is excellent. The case is unpolished. There is some slight wear to the case, commensurate with age. The original case hallmarks are still bold on the case edge and all the serial numbers on the case back show no sign of a polishing wheel.

These watches are great to wear and from a great name in luxury. While today they remain at an affordable price for what they are. This will change soon.

The watch is presented with no original box or paperwork. A new battery has been fitted.


Price $5,200.00

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Item Dimensions
Case Width
0.787402 inches (2.00000108cm)
Case Length
1.02362 inches (2.5999948cm)