1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A pair of solid eighteen carat gold diamond and sapphire clip earrings. This breathtaking and exceptional pair of earrings were made by the Italian powerhouse, Bulgari. The stylish clips, made in solid eighteen carat yellow feature a top hoop design and a bottom drop hanging from each.. Each earring  is set with a Ceylon no heat sapphire cabochon approximately 4ctw. and  70 round brilliant cut diamonds approx 2.90ctw D-E VVS-VS. They are signed Bulgari with Italian hallmarks, and French import marks., fitted with secure clip backs, and have an easy, generous presence on the lobe at an inch and a quarter in length.

Bulgari has always had a way of making earrings feel architectural rather than simply decorative. Founded in Rome in 1884 by Greek silversmith Sotirio Boulgaris, the house grew from silverwork and curiosities into one of the defining jewellery names of the 20th century, with its Via dei Condotti flagship opening in 1905. By the mid-century years, BVLGARI’s identity was clear: bold colour, sculptural volume, and a Roman point of view that favoured cabochon stones and confident proportion. 

For collectors, the conversation is less about “best” and more about signatures you can recognise across a room. One lane is the Naturalia era, launched in 1991, where playful motifs and high colour did not apologise for themselves. The Mamma Pesce fish designs sit here, gemstone and diamond compositions that now surface almost exclusively on the secondary market after the line was discontinued in the late 1990s. These pieces reward close observation: the charm is obvious, but the workmanship is what separates the great from the merely 'good'. 

Another lane is vintage Bulgari from the 1970s onward, when the house leaned into non-traditional materials and fearless contrast, including ceramic, enamel, and turquoise. Think strong geometry, chandelier silhouettes, and the kind of colour blocking that feels remarkably current when it is done well. Condition matters enormously here, as does originality, because these materials show their life differently than diamond-only pieces. 

Finally, there are the statement categories: the 1980s Parentesi language, inspired by Roman pavement motifs and built around modular, interlocking forms, and the true High Jewellery earrings BVLGARI has produced since the 1950s. Parentesi is wearable architecture, a design that reads as “BVLGARI” without needing a logo. High Jewellery is where the brand’s Rome meets its gem access, with exceptional diamonds and saturated colour that can shift from elegant to unapologetic depending on scale and cut. Provenance can elevate these pieces from desirable to important, and it is often the detail that turns a great pair into a keeper. 

These earrings sit firmly in the lane of the marque's finest work. Beautifully made, easy to wear, dramatic without being impractical and comfortable for an occasion desired. The quality is exactly what this house built its name on, and a look that is both timeless and elegant.

They are fully marked on each clip and feature three bold hallmarks on each clip back. Both for "750" for eighteen carat gold and the Bulgari house's maker mark and Italian registration marks. They are in superb condition and ready to be enjoyed.

Made in Italy, circa 1990's. They ship in a Bulgari earring box.


Price $29,500.00

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Item Dimensions
Length
0.78 inches (1.9812cm)
Width
.38 inches (0.0cm)