1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid fourteen carat white gold chain featuring a diamond set pendant. This is a beautiful piece of period jewellery. The piece consists of a sixteen inch long fourteen carat fine curb link chain with a stunning, hand-made pendant that is set with a series of round old European cut diamonds in the bale and a larger old European cut diamond at the bottom surrounded by graduated diamonds. 

The history of the old European cut diamond begins long before the modern brilliant cut became the industry standard. Developed during the late eighteenth century and refined throughout the nineteenth century, the old European cut represents an important stage in the evolution of diamond cutting. Each stone was shaped entirely by hand, long before the precision of modern machinery allowed diamonds to be cut to exact mathematical formulas.

Characterized by a round outline, a high crown, a small table, and a large open culet, old European cut diamonds were designed to perform under the lighting conditions of their era. Homes, restaurants, and ballrooms were illuminated by candlelight and gas lamps rather than the bright electric lighting we know today. As a result, cutters prioritized broad flashes of light and depth of character over the intense brilliance associated with modern diamonds. The result is a softer, more romantic appearance, with larger facets that create a distinctive play of light often described as warm and liquid.

Unlike contemporary diamonds, no two old European cuts are exactly alike. Every stone reflects the decisions and skill of the individual craftsman who shaped it. Slight asymmetries, hand-finished facets, and subtle variations in proportion are not considered flaws but evidence of the stone's handmade origins. These characteristics give old European cut diamonds a personality that many collectors find absent from modern precision-cut stones.

The old European cut became particularly popular during the Victorian, Edwardian, and Art Deco periods, appearing in everything from engagement rings and brooches to sautoirs and cocktail jewelry. By the 1930s, advances in diamond cutting technology and a growing understanding of light performance led to the development of the modern round brilliant cut, gradually replacing its predecessor.

Today, old European cut diamonds are increasingly sought after by collectors and enthusiasts who value originality, craftsmanship, and historical authenticity. They offer a direct connection to a period when diamonds were shaped by hand and judged not by laboratory measurements but by the eye of a skilled cutter. Their distinctive glow, individual character, and unmistakable vintage charm continue to set them apart more than a century after they first appeared.

The piece is in perfect condition.  It is hallmarked for "14k" gold at the top of the loop attaching it to the chain. The back of the pendant is also stamped "14K". The total chain length is sixteen inches long. It can be added to a longer chain, if so desired. The pendant itself is quite a gorgeous and fairly large size itself at nearly 1.5 inch long to the top of the bale and over half an inch across in diameter.

The diamonds themselves are lovely, bright stones. The largest diamond weighs approximately 0.85 carat and is an H colour and SI clarity. The remainder of thirty four stones are a variety of sizes with a total carat weight of 1.70ct, a colour mix of H-I, and VS-SI and a clarity range. 

An eye catching, unique piece of period jewellery, expertly made and presented in superb condition. Made in America, circa 1920's.


Price $5,500.00

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Item Dimensions
Chain Length
16 inches (40.64cm)
Pendant Length
1.4 inches (3.556cm)