1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A stainless steel Universal Genève. This is a very unusual, and amazing looking piece of watch making history. These watches deserve a note in the evolution of watch making. These watches were the luxury Swiss watch manufacturer's response to the influx of Japanese made quartz watches that were flooding the Western markets and driving their business close to, or in many cases, into bankruptcy. It also created this reaction from some brands, such as Universal, to ditch classic watch case design, and dial design, and to become a lot more dating. This is exactly what we see here. Bold, outlandish almost, case design and vibrant colourful and playful dial design. Team that with this amazing movement, and the outcome is this stunning, playful and utterly eye catching watch of its time.

The story of this watch begins in the late 1960s, after Universal Genève came under Bulova’s ownership. Bulova had already established the Accutron as the benchmark for electronic timekeeping, and the Unisonic became Universal’s expression of that technology. It is important to clarify what the Unisonic is, and what it is not. This is not a quartz watch in the later, mass-market sense. Instead, it is a transistor-controlled, tuning-fork watch: a hybrid of traditional case and dial craft with an electronically regulated oscillator at its core. In practical terms, that means the seconds hand often appears to glide with a smooth, continuous motion rather than ticking in one-second steps, and the watch was positioned as a high-precision alternative to a conventional balance-wheel calibre.

Mechanically, the Unisonic is built around Bulova’s Accutron 218 architecture, with Universal-signed calibres that correspond to Accutron variants depending on date configuration and execution. The tuning fork vibrates at a very high frequency, and that vibration is translated through an indexing system to drive the gear train. This was sophisticated, expensive technology for the time, and it required a level of specialised understanding to service properly. In period terms, it offered a compelling proposition: a modern, electronically regulated watch in a well-finished Swiss case, with the quality of work Universal was known for. Universal did not abandon its identity, it translated it. You get the proportions and finishing you expect from Universal, with the added intrigue of a movement type that captures an entire transitional era in one object.

This watch is fitted with Universal Genève calibre 1-52, which is Universal’s signed version of the Bulova Accutron 2181.  This matters for two reasons. First, it places the movement in the core 218 family, the platform that defined tuning-fork wristwatches at the end of the 1960s. Second, it means the watch sits at a true intersection of identities: Universal’s case and dial design language on top, Bulova-led electronic engineering underneath. 

The case is in superb condition throughout. There is some light wear, but it is not polished, which is key to these bold case designs. The screw-back case still has all the original model and  case serial number engraved into the back. This is.very lightly done, so any polishing would completely remove this original information. The dial, which is one of the most beautiful elements to this watch, is all original and perfect. It is stamped "Swiss T" at the base, which pertains to the use of Tritium luminous material. All of which is original and toned into a gorgeous coffee colour. The colouration is a deep purple in the center, with slightly faded metallic purple edging on the outer edge. Overall, the dial is perfect on the eye, and beautifully designed. It is presented on its original UNiversal leather band, which highlights that this watch saw very little original wear.

There is no original box or paperwork presented with the watch. The watch has recently been serviced and is keeping good time.


Price $2,650.00

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Item Dimensions
Case Diameter
1.49606 inches (3.7999924cm)
Case Length
1.73228 inches (4.3999912cm)