1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver and Tiger Eye study of a honey bee pin, or brooch. This is a stunningly executed and great sized pin in the form of the all important honey bee. Very lifelike and highly detailed, the pin really comes to life when the light catches the stunning stone face and body. The attention to detail is apparent all over the pin. The hand engraved lines in the wings, the details the thorax, the shaping and detail in the legs and mandrils is quite remarkable.

Bees are critically important pollinators responsible for pollinating a remarkable 80% of all flowering plants and 75% of all fruits, vegetables, and nuts grown in the United States.Of the approximate 4000 bee species in North America, it is the hive forming domesticated honeybee that collects sugary nectar and converts it to honey to be stored as a food source for the colony and the Queen when the weather turns cold.Hives are the epitome of organization with the Queen, drones, and worker bees each having designated chores and responsibilities that keep the colony alive and well.

The first people to keep honeybees in hives and harvest honey were the ancient Egyptians.They kept honeybees in upside down woven baskets called “skeps” which are still produced today.Ancient Egyptians believed that honeybees were born from the tears of the Sun God, Ra.They believed that honeybees represented the Pharoah’s sovereignty over Egypt and therefore were a symbol of royalty.

In ancient Judaism, bees were symbolic of a peaceful and successful community with individuals working selflessly for the benefit of all.

In ancient Greece, bees represented celebration, prosperity, and figured prominently in Greek Mythology.It is said that when Zeus, King of the Gods, was born his father, Kronos, wanted to kill him.His mother hid the infant Zeus in a cave that was home to sacred bees who fed the infant honey until he was grown and dethroned his father to become King of the Gods.Zeus rewarded the bees by making them bright gold in color.

In the 1800’s Napoleon Bonaparte was named Emperor of France and needed a heraldic animal to adorn his new coat of arms.After much discussion with his advisors, it was decided that the symbol would be the “Napoleonic bee”.The idea came from the unearthed tomb of King Childeric (436-481) of the ancient Merovingian dynasty.Within Childeric’s tomb were found three hundred golden jeweled bees each inlaid with garnet wings. The three hundred jeweled bees resided at the Louvre in Paris until 1831 when they were stolen and melted down (only 2 bees survive).These Childeric bees so caught the imagination of Napoleon that he and Josephine both wore coronation robes covered in jeweled bees.The rugs, upholstery, wallpaper, and dishes in their home were adorned with bees.And of course, their jewelry depicted bees as well.

Not much can be found about the artist and jeweller that made the piece. Clifford Russel worked out of Woolwich, Maine. Was born in 1907 and died in 1975. Most of his work appears to date from the mid 20th century, and it very much has that feel. Detailed, beautifully made, and all with a touch of whimsy to them. This piece no exception.

The condition is excellent, with no damage. The silver has achieved a lovely patina to it, as it has aged over the years. The tiger eye body has been hand selected by Russel to perfectly fit the striped body of the majestic bee. A more detailed and beautiful example of a bee will not be found in jewellery form.

Made in America, circa 1960's.


Price $795.00

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Item Dimensions
Wing Span
2 inches (5.08cm)
Length of Body
1.75 inches (4.445cm)