1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A sterling silver, hand wrought, small bowl. This beautiful study of a bowl is simple, elegant and beautiful hand made. These works of art represent the most high quality, hand-wrought silversmithing by one of America's most talented and sought-after silversmiths; Kalo Shop. This bowl is perfect for a coffee table, or side table.

The Kalo Shop was founded in 1900 in Chicago by 32-year old Clara P. Barck.   From a January, 1901 article in the Chicago Daily Tribune:

 "The Kalo company is the latest group to be formed.  It is composed of six young women, Bertha Hall, Rose Dolese, Grace Gerow, Clara P. Barck, Ruth Raymond, and Bessie McNeal, and their company name is taken from a Greek word meaning "to make beautiful."  They are all graduates of the designers' course at the Art Institute, and besides designing for wall decoration, produce articles in burnt wood and decorated leather.  The workshop of the Kalo company is in the Bank of Commerce Building."

More than any other American workshop, the Kalo Shop defined the art of handwrought silver. Founded at the turn of the century by Clara Barck Welles, Kalo was not simply a silversmith’s studio, but a movement—an ambitious enterprise that shaped taste, trained generations of craftsmen, and left behind objects whose quiet elegance still feels modern today.

From its beginnings in Park Ridge in 1900, Welles’ vision was expansive. While others operated modest boutiques, she imagined a true workshop community, employing over two dozen silversmiths at its height. Women designers—the famed “Kalo Girls”—conceived the forms, while Scandinavian artisans brought them to life at the forge. The result was work that was at once simple, sculptural, and enduringly refined.

The shop weathered both war and depression, supported by a loyal clientele who prized its timeless silver and gold. Though Welles retired in 1939, her motto—“Beautiful, Useful, Enduring”—remained the guiding principle as her craftsmen carried the torch until the doors finally closed in 1970.

Today, Kalo pieces—whether a rare early copper vessel, a striking piece of gold jewelry, or the flowing silver hollowware that became its signature—stand as icons of American Arts & Crafts design, bridging artistry, utility, and lasting beauty. It is also striking to note that the workshop was set up exclusively by women. This is very striking at a time when women were not encouraged ro work, and metal work was often the occupation solely of men.

One can see all of the hand struck hammer marks taken to meticulously hand shape this beautiful work of art.  It is easy, when looking at silver pieces such as these to imagine that they were stamped out. So many items of silver during the twentieth century were made this way. Hand-made pieces of art like this are wrought from meticulous shaping and hammering from sheets of flat silver.  It is a labour of love and a skill that very few posses today.  

The base of the bowl is stamped 'HAND BEATEN AT KALO SHOPS PARK RIDGE ILL. along with "STERLING.' and the unique product reference number. There is an initial "C" hand cut and soldered onto one side of the bowl in an Art Nouveau font.

The bowl is presented in superb condition. A unique piece of American silversmithing from a ground breaking exceedingly talented collective of pioneering women.

Made in America, circa 1920's.


Price $940.00

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Item Dimensions
Height
2 inches (5.08cm)
Diameter at Top
5.5 inches (13.97cm)