1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat rose gold ring with a caved onyx intaglio. This is a beautiful, early twentieth century ring that has a classical choice of a carved onyx. This is a fairly classical style of hard-stone ring mounting. There is a beautiful relief, hand engraved pattern into the band that holds up a ribbed mounting holding this eye catching stone. The shank that holds this wonderful carving in place is very clean and simple and allows the carving to be the main character. 

Onyx has long been a natural choice for intaglio carving, valued as much for its visual depth as for the way it responds to the engraver’s hand. A variety of chalcedony, it is composed of tightly packed quartz crystals, giving it a smooth, consistent structure that allows for precise, controlled incision. It takes a sharp line cleanly, holds fine detail, and polishes to a rich, even surface.

In the classical world, onyx was widely used for seals and signet rings, its clarity ensuring that carved devices remained legible when pressed into wax. Greek and Roman engravers favoured it for both its durability and its visual strength, often depicting mythological subjects, family crests, or personal ciphers. Its occasional banding could be used to striking effect, though solid black examples offered a more restrained, graphic presence.

The material saw a revival in the 18th and 19th centuries, as the neoclassical movement looked back to antiquity. Onyx, with its sober, architectural character, became a natural fit for gold signet rings of the period. In the Victorian era, it also carried a more symbolic weight, its deep black tone lending itself to mourning jewellery and pieces of quiet significance.

What distinguishes onyx is its ability to place emphasis entirely on the engraving. The uniformity of colour allows the carved subject to stand alone, uninterrupted. The result is direct, legible, and enduring. A material chosen not for ornament, but for clarity, purpose, and permanence.

The condition is excellent, it is worn, but shows no damage. The beautifully carved classical Roman goddess bust has all the details lovers of this subject matter crave, and it is expertly hand carved. There are marks stamped into the inside of the shank. They have been rubbed, but still display the "8K" for eighteen carat gold. 

The ring was made in America circa 1920's, is a US size 12 ring size, but can easily be sized if needed. 


Price $1,850.00

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Item Dimensions
Front of ring width
.62 inches (0.0cm)
Front of ring height
0.67 inches (1.7018cm)