1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A manual wind, stainless steel Movado M95 Chronograph.The vintage steel Movado M95 belongs to Movado’s important mid-century period, when the firm was transitioning from early Art Deco experimentation into the cleaner, more architectural language of postwar Swiss watchmaking. Produced primarily during the 1940s and early 1950s, the M95 reflects Movado’s emphasis on precision engineering and restrained design at a time when stainless steel wristwatches were becoming socially acceptable for both professional and daily wear. Steel models were positioned as practical yet refined alternatives to gold dress watches, offering durability without sacrificing elegance.

Technically, the M95 was powered by Movado’s in-house Calibre 95 family of hand-wound movements. These calibres were known for their slim construction, typically 10½ lignes in size, and for their high level of finishing relative to competitors in the same class. Bridges were often gilt or rhodium-plated, with polished screw heads and finely cut gear trains. The movement architecture emphasized long-term reliability and accuracy rather than complication, a philosophy consistent with Movado’s reputation as a chronograph and precision watch specialist since the 1930s. Many examples feature shock protection systems introduced after the Second World War, reflecting the industry’s response to the growing demand for more robust everyday watches.

Case construction of the steel M95 was equally thoughtful. Sizes generally ranged from approximately 33 to this larger size of 35 millimetres, a modern dimension for the era and indicative of shifting tastes away from small prewar wristwatches. Cases were slim, with gently curved lugs and snap or screw-back construction depending on production year. Dial designs ranged from silvered and opaline finishes to two-tone sector layouts, often with applied hour markers and finely printed minute tracks. Hands were typically leaf or dauphine style, reinforcing legibility while maintaining a formal appearance. These design elements place the M95 firmly within the lineage of mid-century Swiss dress watches that balanced function with understated luxury.

Historically, the M95 emerged during a period when Movado was refining its identity beyond avant-garde forms such as the 1942 Polyplan. The company sought to produce watches that could appeal to a broader international market recovering from wartime disruption. The M95 answered this need by combining Movado’s technical credibility with conservative styling suitable for business and social wear. It represents the house’s ability to adapt its design language to postwar sensibilities without abandoning mechanical quality.

In cultural and wear context, the steel Movado M95 exemplifies the rise of the wristwatch as a daily instrument rather than a ceremonial object. This is particularly evident here with the original flex bracelet with the addition of a calendar. Its stainless steel case reflects changing attitudes toward durability and practicality, while its movement quality anchors it firmly within the tradition of Swiss precision watchmaking. Today, the M95 is valued by collectors for its balanced proportions, in-house calibre, Borgel made cases and connection to Movado’s golden era of mechanical production. It stands as a document of mid-century design priorities, where refinement, reliability, and subtlety defined what a serious wristwatch should be.

This example is a real "barn find", as they describe them in the vintage car industry. It is untouched from the last time if came off the original owner's wrist. The case shows signs of wear, as is expected from a watch dating from the 1950's. But, it is unpolished and with the original dial. There is a caseback engraving of a the owner's name and 1959, which is helpful in approximating the age..The dial itself is showing some signs of wear and patina, but it adds to the gorgeous vintage feel to the watch. The applied arrow head markers and broken up by the Arabic 12,3,6 and 9 that are beautifully interrupted by the subdials. The orignal counter hands are present, with the 3 and 6 o'clock counter hands picked out in red and the constant seconds hand in steel. The original lume is missing in the dauphine minute hand, but is still present in the hour hand. All of the printing is perfect on the watch, and the "switzerland" is present on the base of the dial.

Overall, this is a stunning and important watch from one of the ninteeth century's most important watch makers. These watches are highly sought after by collectors today, and it is easy to understand why on so many levels. To find rare, honest, untouched examples today like this is becoming increasingly hard.

The watch does not come with original paperwork, or box. The service history of the watch is unknown, but the watch is working very well currently, and is accompanied by a Foundwell 1 year warranty. The watch will also come with a leather band of the buyers choice.


Price $6,895.00

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Item Dimensions
Case Size
1.37795 inches (3.499993cm)