1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A stainless steel, three register, manually wound chronograph by Heuer.  When you look back at the history of the chronograph wrist watch, Heuer plays a very important role in its development and production.  The Swiss brand produced a large number of these two and three register chronographs during the middle of the twentieth century.  References such as the 2402, 2433, 333 sat along side their three register counterparts such as the 345, 2433 and 2437 to name but a few.  These were all the predecessors of the Carrera's, Autavia's and even Monaco's that really placed Heuer on the map for being one of the finest chronograph makers in the world. Watches like this one

This particular example is a very fine and lesser seen watch.  This is the manually wound Carrera that came a little after its automatically powered siblings.  These manually wound examples are easily distinguished by having the winding crown stacked on the right with the pushers. The automatic models find the crown moving to the left hand side of the case. This classic two button, three register layout is both easy to read, and easy to use.  As a result of this these models were very popular with the race car drivers at the time.

The name came from Jack Heuer. The Carrera was named after the legendary Carrera Panamericana, a grueling thousand-plus-mile race that stretched from the northern to the southern border of Mexico along a highway of the same name. It ran for only four years before being cancelled due to safety concerns.

In 1962, Jack Heuer had just launched the Autavia and was attending the 12 Hours of Sebring in Florida. There, he met the parents of two Mexican drivers, Pedro and Riccardo Rodriguez, who recounted the drama and danger of the Carrera Panamericana. Heuer was immediately taken with the stories – and with the name itself. Carrera translates to “race” in Spanish, but he loved its romance and elegance. He sketched Heuer’s next chronograph himself, envisioning something more refined than the robust Autavia, and found the name simply perfect (as, of course, did Porsche, which remains a TAG Heuer partner today).

The C-shaped case became most closely associated with the automatic-powered 1153 and 1158 models, and rightly so. Yet by the early 1970s, Heuer was producing more economical watches to survive a changing market, including manual-wind chronographs in the same C-shaped cases, powered by Valjoux’s 77 series movements.

The watch is powered by the Valjoux 7736 caliber, manually wound movement.  These watches from Heuer, as well as other Swiss watch makers making chronographs often opted for either Valjoux or Lemania movements. The 7736 is one of the most robust and reliable manually-wound chronograph movements ever designed. The Valjoux 7736 is a hand-wound, cam-operated chronograph movement produced from 1969 up until 1978, notable for its three-register layout (60 seconds, 30 minutes, and 12 hours). It is part of a series based on the Venus 188 movement, which Valjoux acquired in 1966 and adapted into the 7730, followed by the 7733 and its variants. The 7736 was used by brands like Breitling, Heuer, and Tudor

Overall, the condition of this watch is very good.  The case remains unpolished, which is key for these wonderfully contoured and finished cases.  The edges are very clean. The original pushers are present, and the watch is working well having undergone a recent service.  If you are looking for a period, large size case vintage chronograph, it is hard to find a better looking more handsome example.  The beauty of watches like this, being vintage, is that they can look god when dressed up, as well as more casual.


Price $6,895.00

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Item Dimensions
Case Width
1.49606 inches (3.7999924cm)