1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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An eighteen carat yellow gold and platinum diamond brooch, or pin, in the form of a bug set with diamonds and emeralds.  This is a speculator, if not a little strange brooch.  It appears to be a spider, but there are only six legs!  It is perhaps a study of a spider cricket which has the appearance of a spider, but only has the six legs!  Regardless of the bug in question, as a piece of jewellery it is stunning.

The pin is presented in what appears to be its original box.  The back silk of the box says Patek Philippe & Co., Geneva.  The pin itself is not marked anywhere, either for gold, or the PP Co. for Patek.  However, the brushed suede area that hold the pin in place, and the six tiny indents that hold in the legs all appear to have been there for some time, and that the box was made for the pin.

The pin itself comprises of two cushion cut emeralds and a series of old mine cut diamonds.  Each leg is set with diamonds, and all three parts of the bug's body are set with diamonds as well.  The total diamond carat weight is approximately two carats total.  The large rectangular cushion cut emerald making up the bug's body is stunning. It comes with a certificate from the AGL.  The certificate states that it is a Colombian, natural beryl, emerald.  It is treated, but only on the 'minor' scale of the grading scale, making it a rare and beautiful stone.  Almost all emeralds are treated after mining in order to help preserve the stones.  They are kept in cedarwood oil, as well as waxes, such as parafin.  The natural inclusions in the stone give it amazing depth, and the colour is beautiful.  It is a very large stone, weighing approximately just over four carats.  There is another, smaller one making up part of the bug's head.  This one is approximately one carat and is a square cushion cut, and has even more vibrant green in its colouring.

The pin cannot be sold as being made by Patek Philippe, as it is not signed.  However, there is an excellent chance it was retailed by them, perhaps at the request of a top client with an obsession for creepy crawlies!   It will remain accompanied by this original box, the deep wine colour velvet which can often be seen from Patek pocket watches from the period, all seems to tie the connection together.  It has an earlier logo in the back of the lid which dates it to the turn of the 20th Century, all of which makes it possible that it may not have been marked too.

Whether a Patek Philippe fan, or just a fan of fabulous jewellery, or indeed bugs, this pin will light up any outfit, and be sure to be a conversation starter.


Price $8,995.00

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Item Dimensions
Length
2 inches (5.08cm)
Width
2.4 inches (6.096cm)