1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat yellow gold Audemars Piguet Perpetual Calendar. There are many watches that have been designed over the years that leave an indelible mark on the world of horology. This watch is very much one of those. The Audemars Piguet Quantième Perpétual Automatique was important in many reasons and came at a time where the Swiss watch industry was both questioning itself, and worried for its future. Add into this mix that the hand behind the design of this elegant masterpiece was a lady; Jacqueline Dimier.

In 1948, Audemars Piguet achieved a remarkable milestone, unveiling its first-ever perpetual calendar wristwatch, the revered reference 5516. This groundbreaking creation not only showcased the brand's unparalleled watchmaking expertise, but also represented the debut of the world's first perpetual calendar wristwatch with a leap-year indicator on the dial. Given the meticulous craftsmanship and painstaking effort required, the production of these exquisite timepieces was extremely limited, totaling a mere 12 units. This marked the beginning of AP and perpetual calendar production.

Off the back of one of AP's boldest moves, The Royal Oak, designed by the now legendary Gerald Genta, both AP and the watch industry was facing its biggest challenge. Much can be read about what has gone on the be called; "The quartz crisis". It is remarkable that AP, under Dimier's leadership from a design perspective, embarked on creating a masterpiece in watch making. Veteran watchmaker Michel Rochat, technical department founder Jean-Daniel Golay, and after-sales service department founder Wilfred Berney spearheaded the development of the ultra-thin 3.95mm caliber. This was achieved through the clever adaptation and integration of a calendar module into the foundation of the pre-existing caliber 2120 movement, which had debuted back in 1967.

Georges Golay, the Chief Executive of AP was shown the end result. His excited reaction lead to the production of one hundred and fifty nine pieces that got the ball rolling into a development that birthed 7219 perpetual calendars over the fifteen years of production with an astonishing seventy different models with approximately two hundred variations been documented. These figures include the Royal Oak Perpetual Calendar Models. The reference 5548(25548) was the first and dominant reference accounting for 2187 of the total watches produced in this time however an overwhelming majority of models were produced in runs fewer than one hundred pieces, with some models being produced in just a single example!

The example presented here is the second iteration of the model, and a slightly later version within that series. The major change from the first watches were the sunken sub-dials, matte dials and "Swiss Made". This is slightly later version of the 25657 model that features the capitlised A and P in the AP logo beneath the moon-phase. The case is one of the earlier cases with the notch behind the crown stem, less slopped snap back case back and the smaller pushers. The condition of the case is superb throughout with no signs of damage, or heavy wear. There are no signs of polishing and all the correct marks, hallmarks and hand-engraved logo and numbering are all present and crisp. The watch is presented on an original AP leather band with contrast stitch and the original solid eighteen carat yellow gold, early shaped AP pin buckle, full marked, is present.

If you are looking for one of the all time great complicated dress watches, then this model should very much be in the conversation. Mint condition and a fabulous early example. There is no original box or paperwork presented with the watch. The service history is unknown, but the watch is working without any issue.


Price $21,000.00

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Item Dimensions
Case Diameter
1.41732 inches (3.5999928cm)