1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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An aluminium extra large scale model of a Hawker Hunter supersonic fighter. This is a rare scale model, more than likely employed as an early wind tunnel model, the likes of which were commissioned by the makers of the actual manufacturers of the aircraft to dedicated manufacturers and often given to high ranking servicemen and women, members of the air forces or government's that commissioned their order, usually in very limited numbers.

Designed by Sir Sydney Camm in the late 1940s, the Hawker Hunter was Britain’s answer to the first generation of true jet fighters, created at a moment when aviation was moving from wartime improvisation to refined, purposeful engineering. Built around the Rolls-Royce Avon turbojet and developed from Hawker’s earlier Sea Hawk work, the Hunter introduced a clean, swept-wing silhouette, a high-set tail and a nose intake that gave it a distinctive, balanced profile. The prototype, known as the P.1067, flew for the first time in 1951, and within two years a modified Hunter had set a world air speed record of over 700 miles per hour, a statement piece for British aeronautical design in the early jet age.

In service with the Royal Air Force from 1954, the Hunter quickly became the standard day fighter, replacing types such as the Meteor and Sabre. Early teething troubles with fuel systems and the powerful 30 mm ADEN cannon were methodically engineered out, leading to the more mature F.4 and F.6 variants that pilots remember as honest, capable aircraft that were as happy at low level as at altitude. As newer supersonic designs arrived, the Hunter shifted naturally into ground attack and reconnaissance in marks such as the FGA.9 and FR.10, flying hard, unglamorous work in the Middle East and Far East. At the same time it became something of a showpiece at home, with RAF display teams like the Black Arrows and Blue Diamonds using formations of Hunters to demonstrate precision flying on a grand scale.

The Hunter’s real legacy, however, lies in the breadth and length of its career beyond Britain. Nearly two thousand examples were built and supplied to air forces across Europe, the Middle East, Africa and South America. It saw combat in Indo-Pakistani conflicts, in Middle Eastern wars and later in South American service, yet also spent decades as a reliable training and air defence platform in countries such as Switzerland. Many remained in front line or secondary service long after more modern types had already been retired. Today, preserved Hunters still fly on the civilian register and in museum collections, a reminder of a period when British jet design managed to combine performance, proportion and longevity in a way that feels quietly assured rather than ostentatious.

This model is an exceptionally rare example of a wind tunnel model in excellent condition. The base connects to the rear of the aircraft into the aircraft's underbelly. 

Made in England, circa 1950's.  A great piece of military history, and a rare an unusual find in such scale.


Price $6,400.00

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Item Dimensions
Length
22.5 inches (57.15cm)
Wingspan
17 inches (43.18cm)