1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid eighteen carat yellow gold cocktail ring featuring a large citrine. This is immediately recognsiable as a piece of fine jewellery from the collection of one of the most iconic jewellers in the world, Buccellati. There jewellery and silver ware are unlike any other. Organic, bold and beautoful, being made by some of the most talented artisans that Italy has ever produced.

The "Foglie D'Autunno" cocktail ring, meaning 'fall leaves', encapsulates the season perfectly, from the warmth of the citrine it surrounds to the fully hand carved details through the shank in the warm golden glow if the metal. The beautiful rectangular step cut large citrine that steals the show in the middle measures a large 17.7 carats, surrounded by the intricately engraved yellow gold leaves that hold it. securely in place.

"The piece seems almost to breathe in the scent of wet leaves fallen from trees," said Buccellati.

At just 28, Mario Buccellati set up his first boutique steps from Milan’s legendary La Scala opera house. His debut collection—bold, textural, and unmistakably original—stunned the Spanish aristocracy at the 1920 Madrid Exposition, selling out entirely. Word spread fast: Buccellati’s mastery of gold and silver, with its lush textures and intricate detail, quickly became the talk of Europe. Italians dubbed him “The Prince of Goldsmiths”—no small praise in a country where goldwork is practically a birthright. Today, the Buccellati name still conjures the elegance and romance of the Renaissance.

In 1949, Buccellati’s reputation reached new heights when Pope Pius XII chose him to craft a special icon for Princess Margaret, commemorating the first visit of a British royal to Vatican City in centuries. That piece—a perfect marriage of history and artistry—now resides in Tuscany’s Chianciano Art Museum.

The 1940s through the ‘60s marked Buccellati’s international breakout. In 1954, the brand landed on Fifth Avenue in New York, and by 1958, Palm Beach had its own outpost. As the house flourished worldwide, Mario’s four sons joined the family business. After Mario’s passing in 1965, Lorenzo steered the Florence and Milan ateliers, Federico ran Rome, and Luca and Gianmaria led the American expansion.

Gianmaria, especially, left a mark. By the 1990s, he’d transformed Buccellati into a global empire, overseeing boutiques in Milan, Sardinia, Beverly Hills, New York, and Paris, and launching franchises in Capri, Venice, Hong Kong, Tokyo, and Osaka. The Buccellati spirit—equal parts heritage and daring—continues to shine around the world.

The ring is in superb condition. It is fully signed on the inside of the shank. It measures a finger size 6 current.y. However, it can be sized both down or up easily as the back of the shank is open. The ring is also presented in its original, signed, leather Buccellati ring box.

Made in Italy, circa 1960's.

Price $15,000.00

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