1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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An eighteen carat yellow gold pocket lighter. This is a fabulous, rare and superb quality piece. A very tactile and well made lighter that was made to beautifully fit in the hand. The gauge of gold used is very thick for how the piece has been made. It is simple and clean in design, and in construction. There is a slide on the underside of the lighter that reveals the gas and flint refill areas. At the top is a simple push down to light the gas for the flame.

This lighter, made by Bulgari, has a number of names/ monikers; the Escargot, the pocket tape measure, and the Firewheel. What ecer its name, it is abeautful and superbly well made pighter. Lighters like this transend what people know as lighters. A lighter can be bought for pocket change. This is an intersection where the trusty lighter merges iunto the world of haute jewellery. Given it was made by the biggest name in Italian luxury jewellery, this makes total sense.

Following the death in 1966 of Giorgio Bulgari the future and direction of the business was entrusted into the hands of his two sons; Gianni and Paolo. It was not an easy time domestically in Italy. The ensuing oil crisis gripping the world took a particularly heavy toll on Italy's economy in the 1970s. So, the decision was made to expand the reach of the business outside of Rome, and Italy. In 1972 a new storefront was opened at the Pierre Hotel in New York city.  Geneva, Monte Carlo and Paris locations soon followed.

Not only did the business change, but also the designs and the items being proceed under the umbrella of the Bulgari name.  From Sotirios creation of the brand, which was as much an antique store as it was producing pieces, the acquisition of fine and rare silver items contributed to the DNA of the brand. Again, the making of silver pieces to sit alongside his jewellery was very much a secondary function of the brand. But, when they decided to produce these creations, they were always the highest quality and stunning interesting designs. This piece being no exception. Second to that, they were also very rare. It is unknown how many of these silver pieces were made. But being how few ever come to market it is safe to say that production numbers would have been very limited.  Perhaps to around ten, or less.

The condition of the piece is excellent overall. It is in working order. There are no signs of heavy wear, and it has never been polished, which is important in a piece like this in order to strictly maintain its original thickness, shape and lines. Being a lighter, an item that would have often been used around alcohol, for it not to have been dropped and badly damaged over the years is even more unusual! There are two areas with hallmarks. One with a series of marks including Italian and sterling control marks and its unique production number; 040. Then there is Bulgari name along the long plain side of the lighter. The tota, weight, including all the parts is close to 94 grams.

This is a fantastic, rare and wonderful object that would appeal to most everyone as an oject, let alone being a functional piece. With the price of gold today, a number that is only going to rise over time, items like this will no longer be prodcued in solid eighteen carat gold, making this vintage piece even more special and desirable.

Made in Italy, circa 1980's.


Price $12,500.00

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Item Dimensions
Height
1.75 inches (4.445cm)
Length
1.74 inches (4.4196cm)