1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A solid fourteen carat yellow gold curb link necklace. This is a stunning, hollow,  graduated "S" curb link necklace with a great rounded thick profile.  The color to the gold is a warm and rich yellow gold. The necklace is closed through a classic tongue clasp with two safety catches either side of it, for an added level of security. To open simply swing open the catches and depress the tongue down and pull apart.

The curb link is one of the most enduring and recognisable chain patterns in jewellery. Formed from a series of oval links that are twisted and then flattened so they lie neatly against one another, the design creates a smooth, even surface that drapes comfortably on the wrist or neck. Its appeal lies in its balance of strength and simplicity, a design that is both practical and elegant.

The origins of the curb link can be traced to equestrian equipment. In the 18th and early 19th centuries, curb chains were used as part of horse bridles, sitting beneath the horse’s chin and working with the curb bit to provide controlled pressure. The flattened, interlocking links offered durability and flexibility, resisting twisting while remaining comfortable in use. Goldsmiths soon recognised the advantages of this construction and began adapting the form into precious metals.

By the Victorian era the curb link had become firmly associated with pocket watch chains, particularly the Albert chain worn across a waistcoat. Crafted most often in gold, these chains frequently incorporated a T-bar and a fob seal. The curb link provided the ideal structure: strong enough to secure a watch, yet refined enough to complement the tailored dress of the period.

From Victorian watch chains to early 20th century bracelets and later mid-century interpretations, the curb link has remained remarkably unchanged. Its longevity speaks to the quiet success of the design. Simple, balanced and durable, it has become one of the fundamental chain styles in jewellery, appreciated for its clarity of form and its long connection to both function and adornment

There is a 14k gold mark on the outside of the clasp, along with the country of origin, Italy. On inside of the tongue is a makers mark.

The necklace measures eighteen inches long, and tapers from o.25" at the clasp to a full 0.75" at its widest part at the bottom of the necklace. It is a good weight, weighing just under forty two and a half grams.  Overall, a really lovely, high quality vintage gold necklace with an amazing look to it that is great on the neck


Price $8,895.00

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Item Dimensions
Length
18 inches (45.72cm)
Width at Widest
0.75 inches (1.905cm)