1

A Day
Observed

A story presented by

Scene 1:
‘Morning’

It was a bright cold day with glassy surfaces that looked hard.
Into the square frame he stood as if in a dream.

What emerged was precisely what he expected to find: a reflection of memory images. Contemplating his face in the photo frame he waited.

1960s lucite and chrome 3 image photo frame

By the steady hands of his watch, he listened to time. Every day for the past sixteen days he saw her. Silver lingered in the crease of
an open book.

Rolex burlwood dial, Jubilee bracelet Miniature
oar English university trophy, sterling silver.

So absorbed in his thoughts
he hardly saw the platinum catch-all, the key, or the revelation locked inside those lapis lazuli cufflinks tossed unmistakably in cold blue.

Hans Hanson catch-all. Mid-century, Danish sterling silver. Stirrup money clip, by Hermès. Padlock keyring, sterling silver " Tie bar-slide " Round lapis lazuli cufflinks" Square cufflinks, two tone rose and yellow gold, diamond."

Only by whirling on his heel could he hope to comprehend
the panorama.

Shoe horn, circa 1930. American sterling silver
Scene 2:
‘Noon’

He remained.Trapped in that enormous room,
unmistakably familiar in feeling yet so peculiar.

Above the mantle was
displayed an Austrian hound
of impeccable integrity.

Hagenauer sculpture, 1930

His gaze fell on the letter opener. By accident she had learnt more about his life from the contents of that letter than anywhere.

Dunhill letter opener with lighter top, circa 1950

Cleopatra’s eye reflected
the sun. Through the hypnotism
of precious metals there
emerged a dark slender shadow.

Cleopatra’s eye magnifying glass. Mid-century, gold plated
Hermès weighted pen. Silver plated.

A lighter presented itself, smooth to the touch
it gave the impression of
intelligent company.

Table lighter St Dupont, circa 1960. Gold plate
Scene 3:
‘Evening’

All this time light was receding from the room.

“I should explain why I spend so much time here”, said the silhouette. Leaves moved like shadows across her eyes.

Hermès rope bottle opener. Plated silver.

It’s not too late to turn back. Time moved with faint sounds.

Venini hourglass. Hand-blown lurid Murano glass.

He unscrewed the telescopic cup, rolled and remained still. Black eyes on the dice prophesied a new cycle.

Telescopic cup, J. E. Cauldwell. Gold plated. Dice,
Cartier for America. Vitreous enamel glass, silver

Staring down at the varnished surface her mouth worried him while her eyes examined the gold cufflink.

Audemar Piguet evening watch. gold plated, Roman dial, alligator strap
Scene 4:
‘Night’

Everything went crashing black.

Pale graceful hands placed
the gold stud box delicately
on the table.

Men’s Edwardian jewellery box, 1910. Gold plated.
Mid-century British cigar ashtray. Sterling silver and crystal.

He lit a match to make sure the watch had really stopped. Smoke lingered from its vesta case.

Realist wrapped tobacco leaf march vesta. Silver.

As the travel clock neared
one the figure vanished into dappled shadows.

Art Deco Jaeger LeCoultre travel clock.
Gold and silver plated. Retailed by Aspray.

On the newly varnished table two bronze shot cups sat alive like in a dream.

Tooth shot cup by Foundwell. Bronze and silver plated.
Set of 4, 3 silver 1 gold. Heath & Midleton champagne decanters circa 1900.
Sterling silver and glass.
The End

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy, creative direction OK-RM,
notes by Kate O’Brien and objects selected by Alan Bedwell

‘A DAY OBSERVED’
A story by FOUNDWELL
Photography Matthieu Lavanchy,
creative direction OK-RM
notes by Kate O’Brien
and objects selected by Alan Bedwell

Early and Rare Sterling Silver Gorham Martini Mixing Bucket

Golf Cocktail Shaker
and Matching Golf Bag Cup

Sterling Silver Woven Bottle Coaster

Foundwell

A SELECTION OF ITEMS BY THE PRODUCER OF
CRAFTED GOODS & PURVEYOR OF ANTIQUE WATCHES,
JEWELLERY & OTHER SUCH OBJECTS

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A fourteen carat and yellow jade bead necklace. This stunning and unusual necklace is a very striking piece. The necklace was made for, and retailed by famed luxury San Francisco department store; Gumps.

Yellow jade is not a separate species of jade so much as a colour story within jade itself. In gemology, “jade” refers to two distinct materials: nephrite and jadeite. Either can present in yellow tones depending on chemistry, inclusions, and how the stone has aged. For a collector, that distinction matters, because it shifts the conversation from a marketing label to what the material actually is, and how it was worked.

The colour is typically tied to trace elements and oxidation, often producing a spectrum that reads more like natural light than pigment. The best examples show a restrained range: honey, straw, apricot, old parchment, sometimes deepening toward caramel. In high-quality material, translucency does the real work, giving yellow jade its depth and internal glow, rather than a flat, painted colour.

Culturally, jade’s history is anchored in East Asia, with China in particular shaping centuries of connoisseurship, carving traditions, and symbolic value. Yellow carries its own resonance within that visual language, long associated with status and refinement. Today, “yellow jade” is also a term that can be stretched in the market, so precision remains the mark of a serious offering: identify whether the piece is nephrite or jadeite, describe the tone honestly, and let the quality of the material, carving, and surface finish speak for itself.

The clasp is made in solid fourteen carat yellow gold and is marked on the back for "14k" and "Gumps". The top side of the clasp has a Chinese symbol carved into the gold in a three dimensional design. The symbol depicted is "Shou". The Shou symbol is the Chinese character for longevity. It is less a decorative flourish and more a direct blessing, a wish for a long life made permanent in metal, stone, porcelain, or silk. When you see Shou on an object, it is there for a reason. It signals celebration, respect, and the quiet seriousness of marking time.

Historically, Shou appears across Chinese decorative arts, especially on pieces intended for gifting and display. It is closely tied to birthday milestones, long-life celebrations, and the broader tradition of auspicious symbols. The character is often enlarged, repeated in patterns, or rendered in stylised script so it reads as motif as much as language, an emblem you recognise even before you “read” it.

Shou also sits within a wider visual vocabulary. It is commonly associated with Shouxing, the deity of longevity, and often appears alongside other long-life symbols, especially the peach. Taken together, these motifs form a coherent message: health, time, and the privilege of enduring. In the best examples, Shou does what great design always does. It carries meaning with restraint, and it lets the object speak without needing to raise its voice

The necklace comprises of forty eight of perfectly size matched jade beads with a bead diameter 9mm. The total length of the necklace is twenty inches long, so it sits just below the collar bone. 

The condition throughout is superb. 

Strung in America, circa 1980's


Price $1,850.00

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Item Dimensions
Length
20 inches (50.8cm)